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I'd agree with the author's suggestions, but only up to a point she doesn't really make: that ultimately a writer has to find his or her unique voice, and that isn't done exclusively by playing R.L. Stevenson's "sedulous ape."
I'd agree with the author's suggestions, but only up to a point she doesn't really make: that ultimately a writer has to find his or her unique voice, and that isn't done exclusively by playing R.L. Stevenson's "sedulous ape."
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