Long ago the neighborhood
that holds the aging and neglected building was named “Hell’s Kitchen.” In the here and now of 2060, the decrepit
structure is a recent purchase of Roarke’s. He plans to gut the building, rebuild
it, and restore it to its former glory. Roarke has a vision for the old place
and isn’t willing to level it. As has long been established, Roarke has the
money to accomplish anything.
Along with a
crew of workers, the job boss, Pete Staski, and head architect, Nina Whitt,
Roarke is on site. It would be cheaper to tear it all down and start over, but
Roarke is having none of that. Pete suggests that Roarke should take the first
couple of whacks as it is good luck when the boss takes the first demolition
strikes. Roarke agrees and goes to work with two hard blows of the
sledgehammer.
The group
quickly realizes that behind the first wall that was not up to code, was an
inner space to the actual real wall. In that inner space between the two walls
sits two bundles wrapped in plastic. There are literally bodies in the walls.
Roarke alerts
his wife and before long she, Peabody, and others are at the decrepit three-story
building and going to work. While Roarke now owns the building, he has not had
it long, so unlike other cases where he owned the location holding a crime
scene and or knew folks involved, this time his connection is straightforward
and nearly non-existent. He is still going to be very involved.
Roarke’s involvement
will help as the building has been derelict for years since the previous
owners, Nashville Jones, and his sister, Philadelphia Jones, moved out in
September of 2045. They were using the place for a shelter for kids, runaways,
and others, before moving to a new place. The building has been sitting vacant
as a target for squatters, vandals, and thieves that took everything they
possibly could.
It also
served as a graveyard. In addition to the two bodies Roarke found, police
investigators have found ten more skeletons. All twelve are clearly female and
of a young age. Most likely early to mid-teens. The gender and age range that the
place known as “The Sanctuary” took in from May of 2041 to September 2045.
It is up to Lieutenant
Eve Dallas, Peabody, and the team to not only identify the 12 victims in a case
that goes back at least 15 years, but identify the killer or killers. They
could be alive, having escaped for all this time, or the person(s) responsible
could be dead. Nobody knows. What is clear is that the list of unidentified victims
is long and this case is going to take quite some time. Identifying the dead
and notifying the next of kin of each person is step one in what will be a
massive case.
What follows is a complicated police procedural. Having somebody around with massive resources is a huge help, though as always, painstakingly slow and detailed work by the police and others is what actually solves cases. As one always knows in this series, Dallas is going to get answers and some form of justice. The question is how. That certainty that some sort of justice will win out in the end is what makes these reads fun and an escape from the real world.
My Amazon Associate Link: https://amzn.to/3vFT4R5
My reading copy came by way of the Libby/OverDrive App and the Dallas Public Library System.
Kevin R.
Tipple ©2024
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