Earlier
this month M. E. Proctor’s latest novel, Catch Me on a Blue Day: A Declan
Shaw Mystery, was published by Shotgun Honey Books. Available on Amazon and other platforms, this is the
second book in the series that began last year with Love
You Till Tuesday. Please welcome back M. E. Proctor as she discusses motive
and characters in her latest guest post.
But Why? Give Me a Motive
By M.E. Proctor
One reason often cited for the lasting
popularity, almost two centuries, of detective stories is that they satisfy
people’s sense of order. In modern fiction this doesn’t always mean justice or
retribution; people who do wrong sometimes get a pass or don’t pay the full
load for their transgressions. Our grandparents might have scoffed at the idea
of a free ride, and upholders of the Hays Code would have wagged their
collective disapproving finger, but current readers and viewers are more
forgiving. We have generations of anti-heroes in our background.
Still, the notion of order remains, in a
slightly amended version. Detective stories convey the message that the world
can be understood, that mysteries, if human-made, can be decrypted and
resolved. That we have a degree of control. It is reassuring because real life
doesn’t provide much of that.
Take any high-profile case splashed over your
screens.
The first question, ‘who did it’, will be answered, most of the times. How they
did it, gets handled too. But the why, the what made them do it … is where it
gets blurry. The great basic drivers of crime fiction, greed and jealousy,
rarely make headlines, unless the money is really big or the victim/suspect
famous. People with trigger tempers who lose it in a fit of rage don’t get a
lot of media airplay either. It’s the other stuff that keeps audiences
enraptured. The hard to explain cases. Because we want to understand, it’s in
our nature.
We want to know what makes a person click and what caused them to go off the
rails. Why they took the fateful step, why they behaved in a way that’s hard to
comprehend. Probably we wonder about ourselves. We want cause and motive. Satisfying
answers are hard to find despite all the pundits chiming in and the 24-hour
news cycle. They’re mentally ill. Voices told them to do it … Over time,
comic books have been blamed, violent movies, video games, online porn, TikTok,
AI. The quest for cause and motive continues. And conspiracy theories,
inevitably. When you can’t get the answers you like, you manufacture your own.
What every tin foil hat wearer wants is to understand. And some version of the
truth, forever out of reach.
Not unlike fictional detectives and their
readers. How would you rate your favorite sleuth if he/she left you hanging at
the end of the book, with a shrug and quipped: ‘Oh, there’s nothing to it, they’re
just nuts.’ Wouldn’t you think that character is a dweeb? Pull their license and
send them back to PI school, or their rose garden if they’re an amateur in a
cozy.
In a recent story published in the Celluloid
Crimes anthology, Garbo’s Ghost,
I let my character, homicide detective Tom Keegan, react like a real-life
harried and tired cop. He’s seen too many gruesome crime scenes. He just wants
to go home:
Freddy
couldn’t understand why Tom was leaving so soon.
“You don’t want to know who they are and why they did it? Why they took the
shoes and where they hid them? They’ll talk, Tom. It’s the only way they can
hope to avoid the gas.”
“Killers never have anything interesting to say, Freddy. I plan to get so drunk
that by tomorrow I won’t be able to remember their names.”
I don’t feel bad doing this in a short story. Endings
that don’t tick all the boxes are allowed. In a book, after 300 pages, and
readers invested in the characters and the plot, some kind of explanation is
required, otherwise it smells like cheating.
Book 2 of the Declan Shaw PI series, Catch Me
on a Blue Day, is the hunt for a killer, across time and borders. At the
root, there’s a thirty-year-old cold case and a connection to the Salvadoran
civil war. Both events have dramatic repercussions in the present. The story
starts with the suspicious suicide of a veteran frontline reporter. He was
writing a book on Central America that promised to be explosive. Declan Shaw
who was hired to help with research for the book uses fragments of the
manuscript, notes, and conversations to build the case and zero in on the
murderer.
Protagonist, antagonist, supporting roles … I
believe that to make characters real, the writer needs to feel some empathy for
them, however reluctant, and an understanding of their predicament. Their underlying
motive. In Catch Me on a Blue Day, the villain is a homicidal maniac
with few redeeming qualities. But he is not irrational and should not be shrugged
off as a lunatic on a killing spree. The horrible cold case murder was an act
of rage and revenge by a proud man being repeatedly rejected and humiliated. It
is the reason for the crime, as the killer sees it and justifies it to himself.
The violence that follows is his reaction to the fear of being found and
caught. Monsters never picture themselves as such.
There is logic in the madness, and because the
murderer is coherent, in his twisted version of the world, the detective can follow
in his footsteps and unravel the mystery.
Find the motive, crack the case. It’s what we all wish for.
Publisher: Shotgun
Honey Books
September 2025, ISBN 978-1-956957-87-7
Paperback: 294 pages
eBook
Amazon Associate Purchase Link: https://amzn.to/4ndYjxv
M. E. Proctor ©2025
M.E. Proctor was born in Brussels and lives in Texas. She’s the author of
the Declan Shaw detective mysteries: Love You Till Tuesday and Catch
Me on a Blue Day (Shotgun Honey Books).
She’s the author of a short story collection, Family and Other Ailments, and the co-author of a retro-noir novella, Bop City Swing. Short fiction in Vautrin, Tough, Rock and a Hard Place, Bristol Noir, Mystery Tribune, Reckon Review, and Black Cat Weekly among
others. She’s a Shamus and Derringer short story nominee.
Author Website: www.shawmystery.com.
On Substack: https://meproctor.substack.com.



2 comments:
Thank you for having me as a guest, Kevin!
Thank you for doing this again!
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