Showing posts with label domestic suspense. Show all posts
Showing posts with label domestic suspense. Show all posts
Friday, December 30, 2022
Tuesday, March 07, 2017
Crime Watch: Review: THE BIRD TRIBUNAL by Agnes Ravatn
Crime Watch: Review: THE BIRD TRIBUNAL: THE BIRD TRIBUNAL by Agnes Ravatn, tr: Rosie Hedger (Orenda Books, 2016) Reviewed by Craig Sisterson Two people in exile. Two secrets....
Sunday, November 13, 2016
Crime Watch: Review: THE KIND WORTH KILLING
Crime Watch: Review: THE KIND WORTH KILLING: THE KIND WORTH KILLING by Peter Swanson (Faber, 2015) Reviewed by Craig Sisterson Delayed in London, Ted Severson meets a woman at ...
Monday, September 19, 2016
Guest Post: Mark Edwards on "As Safe as Houses…The Rise in Domestic Suspense"
Please welcome
author Mark Edwards who has a few thoughts about “domestic suspense”…
As Safe as Houses…The Rise in Domestic Suspense
In the summer of 2012 I attended a party in
central London with a large group of British crime and thriller writers and
readers. Everyone was talking about one book, by a writer who wasn’t at the
party or even in the same country. This novel wasn’t a bestseller yet –
certainly not in the UK – and the author, though reasonably well-known after a
couple of mid-size hits, was far from a household name. But there was a buzz
about this book; the kind of excitement that was genuine and rare. I was
reading it at the time and was blown away by the style and the subject matter.
This, I thought, is going to be big.
The book was Gone
Girl by Gillian Flynn. Its publication heralded the current wave of
what has been called domestic noir, or domestic suspense, a sub-genre of the
psychological thriller with several features that make it easy to spot (and not
just because half of them have ‘girl’ in the title). It’s usually set in or
around the home, with marriage, family and neighbors as a strong theme. The
protagonist is usually female – as is the author. There is almost always a big
twist at the end. The narrator is likely to be, at best, unreliable and, worst,
downright devious. She will be flawed – she might be an alcoholic, a cheat, a
liar with a dark secret. And, of course, this being a thriller, there is
usually a murder, a missing child or some other terrible crime.
Last year, The
Girl on the Train – another example of domestic noir – became the
fastest- and biggest-selling adult hardback novel ever. I know Paula Hawkins
and after reading TGOTT a few months before its publication, I messaged her to
to tell her I thought she had a bestseller on her hands.
Understatement of the century.
Other huge hits of last year included Clare
Mackintosh’s I Let You Go,
which starts with a child dying in a hit and run, and Ruth Ware’s In a Dark Dark Wood, about a
bachelorette weekend that goes murderously wrong. My own domestic noir novel, The Magpies, about neighbors
from hell, has sold over 400,000 copies and is always hanging around the
bestseller lists. The appetite for these novels has clearly not
diminished.
But why are they so hugely popular? Is it just another
publishing fad? Or is domestic noir here to stay?
From the feedback I get from readers, there is a
simple answer to the question of why they are so popular. It’s because people
like reading about things that could happen to them; situations we could all
find ourselves in. Jack Reacher is still enormously popular, and books like Lee
Child’s provide great escapism, but there is an appetite for worlds we all
recognise – and readers love to think about what they would do if their world
shifted slightly and they found themselves in danger.
Gone Girl was a huge hit
because it depicted marriage in a new, frightening way. It was a fascinating
depiction of a toxic relationship that struck a chord worldwide. The Girl on the Train was a
massive seller because everyone who’s ever commuted has wondered what’s going
on behind the windows they pass every day. Perhaps that’s the secret: these
books bring out the voyeur in all of us. While the media becomes more and more
celebrity-obsessed, we readers want to gaze at real people, at people like us.
Publishers have reacted by snapping up dozens, if not
hundreds, of these titles. Right now, it feels like every hot new book is a
psychological thriller. It’s already lasted longer than the erotica boom from a
few years ago, or the Stieg Larsson-inspired interest in Scandinavian crime. As
long as we writers can keep coming up with new angles and fresh twists, I think
domestic noir is here to stay.
Although there are, of course, spin-offs happening
already. I’ve read two psychological thrillers recently set on a cruise ship,
for example. And my new book, The
Devil’s Work, is set in a workplace, an office from hell staffed by
toxic co-workers.
I’m hoping office noir will be the next big thing.
Mark Edwards ©2016
About The Devil's Work by Mark Edwards
It was the job she had dreamed of since childhood. But on her very first day, when an unnerving encounter drags up memories Sophie Greenwood would rather forget, she wonders if she has made a mistake. A fatal mistake.
What is her ambitious young assistant really up to? And what exactly happened to Sophie’s predecessor? When her husband and daughter are pulled into the nightmare, Sophie is forced to confront the darkest secrets she has carried for years.
As her life begins to fall apart at work and at home, Sophie must race to uncover the truth about her new job…before it kills her.
About Mark Edwards
Mark Edwards writes psychological thrillers in which scary things happen to ordinary people and is inspired by writers such as Stephen King, Ira Levin, Ruth Rendell and Linwood Barclay.
He is the author of three #1 bestsellers: Follow You Home (a finalist in the Goodreads Choice Awards 2015), The Magpies and Because She Loves Me, along with What You Wish For and six novels co-written with Louise Voss. All of his books are inspired by real-life experiences.
Originally from the south coast of England, Mark now lives in the West Midlands with his wife, their three children and a ginger cat.
Website: www.markedwardsauthor.com
Twitter: @mredwards
Tuesday, October 27, 2015
Review: "Concrete Angel" by Patti Abbott
Christine was twelve years old when
her mom, Eve Moran, shot her current boyfriend, Jerry Santini, dead in their
apartment. It wasn’t long afterwards before Christine once again took care
of her mom by claiming to have killed Jerry Santini. After all, cleaning up
after her mom was a job Christine had really gotten really good at by then thanks
to the fact she had lots of practice over the years.
Told in flashbacks of various lengths
through the book, Concrete Angel by Patti Abbott details eighteen years of
Christine’s life. From 1964 to approximately1982 in various locations in the Philadelphia
area Christine dealt with a life of quiet family chaos. While the book opens
with the shooting that in some ways did change things in other ways it was a
minor blip on a long and wide ranging continuum of the family dysfunction.
Such issues are frequent topics of
the author’s shorter fiction. While multiple crimes are present in the book,
the psychological relationships are the heart of Concrete Angel. Hence the
labeling of the book as “domestic suspense” in this age of making everything
fit a nice neat designation. Makes sense if you also believe that Faulkner is
domestic suspense as there is definitely a tone of Faulkner throughout the
read. Granted the book is set in the Northeast but the characters could have
easily come out of the Deep South. Right down to the neat freak bigoted
Grandmother who is all about appearances over everything and anyone else.
The relationship between Christine
and her mother takes precedence for a variety of reasons, but there are other familial
relationships at work here that don’t always have Christine’s best interests at
heart. The aforementioned Grandmother an obvious case in point, but there are
others just as guilty. This is not one of those families you wish to be born
into if your goal is a safe and nurturing environment. A mighty good book that
defies easy labeling, Concrete Angel is a complex read
that pulls you in deep and will haunt you long after the read is finished.
Concrete Angel
Patti Abbott
Polis Books
June 2015
ISBN-13: 978-1940610382
Paperback
(also available in audio and e-book formats)
320
Pages
$14.95
Kevin
R. Tipple ©2015
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