From the archive…
The late, great Stanley
Ellin was a painstaking craftsman, as Ellery Queen (Frederick Dannay) details
in his introduction to Kindly Dig Your Grave and Other Wicked
Stories. The results justified the pains he took, as demonstrated by
the fact that his first published story, “The Specialty of the House,” is
acknowledged as a classic of its kind. (Those who haven’t read it may have seen
the televised versions on “Alfred Hitchcock Presents” and “The Alfred Hitchcock
Hour,” the former version having a shorter running time but being truer to the
original story. As of this writing, both versions are available on YouTube.)
Ellin won two Edgar awards for other short stories and one for a novel. The
(mostly) character-driven stories in the collection under consideration here
bolster his well-deserved reputation.
In "Kindly Dig Your
Grave," the reader meets Madame Lagrue, a Parisian art dealer who
specializes in bad paintings that sell especially well to the American market
hungry for work "by great French artists at reasonable prices." She
has found an effective method of dealing with hungry artists to whom she can
pay a pittance for their canvases, which she then sells for a 500- to
1000-percent profit. One of her hapless suppliers is a painter named O'Toole.
When a tough-minded young Algerian woman who goes by the alias Fatima becomes
enamored of him, she quickly realizes how Madame Lagrue is taking advantage and
sets out to rectify the situation in this comical biter-bit tale.
Dispirited in spite of
being exonerated of graft charges and told he can return to duty though not
even his father is sure he's innocent, Noah Freeman takes a trip to Rome, Italy
to try to decide whether or not to go back to work as a New York City police
detective. He finds himself drawn to an attractive but distant, cynical young
woman, Rosanna, who works at the pensione he's staying in. When he learns that
her father was killed by partisans twenty years earlier during WWII because
they were sure he had betrayed them to the Germans, resulting in the deaths of
three members of the Resistance, and that the stigma attaches to her and her
brother to this day, Noah sets out to get to the bottom of "The Crime of
Ezechiele Coen." I correctly guessed the outcome of this story quite early
into it. Nevertheless, it lost none of its power or poignancy.
In "Death of an
Old-Fashioned Girl," Elizabeth Ann Moore is anything but. She's quite the
drama queen, portraying herself as naïve and ingenuous: "During her brief
lifetime she must have ingested enough romantic literature and technicolored
movies to addle a much larger brain than hers, and in the end she came to
believe that human beings actually behaved the way the heroine of a melodrama
would." She's actually quite manipulative, which is how she managed to
entice artist Paul Zachary to divorce his wife Nicole and marry her. When she
ends up knifed to death, the police aren't lacking for suspects. They include
the narrator, another artist, and his wife; Sidney and Elinor Goldsmith, art
gallery owners and the folks who discovered Zachary and helped him achieve
success; and Zachary himself. How the narrator and Zachary became friends, and
how theirs and the others' lives converged and Elizabeth Ann died make for an
absorbing story with a neat and fitting irony at its end.
When Max de Marechal,
editor of a magazine for wine connoisseurs, tells the wine merchant Drummond
he's writing an article about the greatest vintages various experts have
sampled and asks for an interview, they get into a small debate over specific
vintages and whether there could ever be any consensus among a group of
experts. De Marechal maintains there is one he's never tasted but which has
acquired a legendary status among authorities: Nuits Saint-Oen 1929. Because it
was produced in such a small quantity, he's certain that a single bottle no
longer exists. Drummond tells him he has "The Last Bottle in the
World" in his company's cellars. He has not been tempted to open it
because it's so old the wine might be bad. De Marechal asks if he'll sell it,
and Drummond says no. Ultimately, de Marechal introduces him to millionaire
Kyros Kassoulas and his wife, and he becomes involved in a tense domestic drama
in which the wine plays a pivotal role.
In another story set in
Paris, "Coin of the Realm," Millie gets on her husband Walt's case
for dressing like a tourist. Walt rather proudly proclaims that that is what he
is, and accompanies his tastefully-attired wife to a flea market. While Millie
haggles with a furniture seller, Walt, ostensibly looking for coins for his
business partner's collection at the partner's request, goes to see another
seller, Piron, for a much more sinister reason.
While Broderick and
Yates, both slightly inebriated, wait on Broderick's boat, Chappie and Del set
out in a dinghy toward the Miami Beach shoreline. Del stays on the dinghy while
Chappie swims to the Royal Oceanic Hotel to fulfill a grisly task. When they
return to the boat they demand "The Payoff," the nature of which
readers will never guess.
There are any number of
things Albert doesn't like—about himself and about others. His first name, for
instance. He resents his mother naming him for a figure on a pipe tobacco can.
He doesn't like women, but in his therapy session with Dr. Schwimmer, he
discusses his recurrent dreams about a "Girl, Doctor. Maiden, if you will.
Not a woman" with whom, for the first time in his fifty years, he has
fallen in love. In "The Other Side of the Wall," told almost entirely
in dialogue, Dr. Schwimmer employs a radical approach to help Albert achieve
catharsis and surprises the reader in the process.
A change of pace in tone
and approach from the stories that precede it, "The Corruption of Officer
Avakadian" displays Ellin's skills at writing humorously. First-person
narrator Avakadian, a young, uncompromisingly by-the-book police
officer, has been partnered with the soon-to-retire Schultz, a jaded cop who is
not above a bribe or a free meal. When they are dispatched to the home of Dr.
Cyrus Cahoon and his wife in a wealthy neighborhood, they learn from Mrs.
Cahoon that her husband has been kidnapped. The victim happens to be present
and confirms the story, which becomes more and more bizarre as its details are
revealed.
Script doctor Mel Gordon
can’t resist the lure of a poorly-written script, and
Alexander File, tight-fisted producer of low-budget schlock movies,
knows it. Because he’s been successful working in television, Gordon no longer
needs to work for File, as he had done for a number of years earlier in his
career. But when File sends him the script for Emperor of Lust, Gordon agrees
to fly to Rome to improve it and help with the production. Apart from making
movies as cheaply as possible, File’s primary interest is in “dewy and nubile
maidens, unripe lovelies all the more enticing to him because they were unripe.
He loved them, did File, with a mouth-watering, hard-breathing, popeyed love.”
Once filming begins, it’s not long before tension sets in and conflicts develop
between File and Gordon, and between File and his director, his cameraman, and
a young man hired to create props in the novella “The Twelfth Statue.” And then
one evening File “walked out the door of his office and vanished from the face
of the earth as utterly and completely as if the devil had snatched him down to
hell by the heels.” Readers who think they see the ending coming will only see
part of it, so they can look forward to at least one additional surprise.
The author’s elegant,
flexible writing style and sense of place, combined with storylines that are
far from run-of-the-mill and populated with colorful characters, make this
collection a wonderful read. I can highly recommend it to those who appreciate
the kind of literary craftsmanship whose ultimate result is pure
artistry.
Amazon Associate
Purchase Link: https://amzn.to/3Pn43cr
Barry Ergang © 2012,
2016, 2023, 2026
Among his other works,
Derringer Award-winner Barry Ergang’s locked-room novelette, The
Play of Light and Shadow, can be found in eBook formats at Smashwords.com and Amazon.com
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