Showing posts with label elmore leonard. Show all posts
Showing posts with label elmore leonard. Show all posts
Friday, June 13, 2025
Friday, March 22, 2024
SleuthSayers: Getting Ideas From Characters by O'Neil De Noux
SleuthSayers: Getting Ideas From Characters: Elmore Leonard has been the subject of many fine posts here at SleuthSayers. Just search through the blog for posts by David Edgerley Gates,...
Wednesday, August 03, 2022
Friday, April 15, 2022
Wednesday, February 28, 2018
Crime Watch Blog: Review: MR MAJESTYK by Elmore Leonard
Crime Watch: Review: MR MAJESTYK: MR MAJESTYK by Elmore Leonard (1974) Reviewed by Craig Sisterson Frank Renda is scared stiff he's losing his touch. It used to be ...
Monday, January 12, 2015
Sunday, December 21, 2014
Saturday, August 31, 2013
The Rap Sheet-- Expanding the Elmore Leonard Tribute
J. Kingston Pierce has updated his extensive Elmore Leonard tribute. You can read why here and then follow the links to the two part series.
Sunday, August 25, 2013
The Rap Sheet Tribute to Elmore Leonard
Nobody does it better than The Rap Sheet and J. Kingston Pierce has done it again with his comprehensive two part tribute to Elmore Leonard. I never met the man nor did I have the privilege of exchanging e-mails with him. I certainly have barely scratched the surface in my reading of his books. But, after reading what Mr. Pierce has put together I feel I have some idea of, not only his writing, but the huge personal impact he had on so many people.
Part one posted last Thursday is here.
Part two posted yesterday is here.
This effort is exceptionally well done and contains a ton of information as well as references and links. Click on the links and settle in as the piece is very much well worth your time.
Part one posted last Thursday is here.
Part two posted yesterday is here.
This effort is exceptionally well done and contains a ton of information as well as references and links. Click on the links and settle in as the piece is very much well worth your time.
Tuesday, August 20, 2013
More on the passing of Elemore Leonard
As always The Rap Sheet provides a great overview of situations like this with a detailed post here. The piece includes numerous links for further reading.
Elmore Leonard Has Passed
From his Facebook Page:
"The post I dreaded to write, and you dreaded to read. Elmore passed away at 7:15 this morning from complications from his stroke. He was at home surrounded by his loving family. More to follow."
"The post I dreaded to write, and you dreaded to read. Elmore passed away at 7:15 this morning from complications from his stroke. He was at home surrounded by his loving family. More to follow."
Tuesday, August 06, 2013
Elmore Leonard Update
Update on author Elmore Leonard via The Rap Sheet at:
http://therapsheet.blogspot.com/2013/08/elmore-leonard-recovering-from-stroke.html
http://therapsheet.blogspot.com/2013/08/elmore-leonard-recovering-from-stroke.html
Friday, June 28, 2013
FFB Review: "Three-Ten to Yuma" (1953) by Elmore Leonard--- Reviewed by Barry Ergang
Friday means Friday’s Forgotten Books hosted by Patti
Abbott. This week Patti declared today a celebration of Elmore Leonard. Make
sure you check out the other reading possibilities here after you read the review
below……
"Three-Ten to Yuma" (1953) by Elmore Leonard
Reviewed by Barry Ergang
Originally published in the pulp magazine Dime Western, Elmore Leonard's short
story concerns Deputy Marshal Paul Scallen's efforts to get convicted Wells
Fargo robber Jim Kidd onto a train that will take them to the penitentiary in Yuma. The story opens in
the early morning hours, with Scallen
and Kidd riding into the aptly-named town of Contention. Here they meet Timpey, a Wells Fargo agent who has made hotel accommodations for them. The plan is to hole up in the hotel until they can get on the train later in the afternoon.
Complicating matters are friends of Kidd who are in town with the intention of liberating him from his guardian, and a man named Bob Moons who is certain Kidd killed his brother during the robbery and who is out for blood. Playing some head games, Kidd tries to convince Scallen to let him go, that he won't succeed in getting him as far as the railway station, let alone to Yuma.
"Three-Ten to Yuma" most definitely deserves its status as a classic.
"Three-Ten to Yuma" (1953) by Elmore Leonard
Reviewed by Barry Ergang
and Kidd riding into the aptly-named town of Contention. Here they meet Timpey, a Wells Fargo agent who has made hotel accommodations for them. The plan is to hole up in the hotel until they can get on the train later in the afternoon.
Complicating matters are friends of Kidd who are in town with the intention of liberating him from his guardian, and a man named Bob Moons who is certain Kidd killed his brother during the robbery and who is out for blood. Playing some head games, Kidd tries to convince Scallen to let him go, that he won't succeed in getting him as far as the railway station, let alone to Yuma.
Revealing any more would spoil a subtly tense tale that runs
4,500 words, according to the author in an interview on YouTube (http://youtu.be/GUMHAvXG4zg), and which
is the only story Leonard wrote for the pulps for which an editor requested
revisions.
I read the story in an anthology titled Hard-Boiled (1995), edited by Bill Pronzini and Jack Adrian. I
haven't read everything in it, but I'm pretty sure nearly all of the stories —
maybe all except "Three-Ten to Yuma"—are detective and
crime tales. Pronzini's introduction to "Yuma" calls it "a distinguished
noir story, with all the elements of character, plot, incident, and suspense of
the best contemporary thriller."
Until a few years ago, though I've enjoyed western films
since childhood, the only western story I'd ever read was the one that served
as the basis for "High Noon." Three or four years ago I started
reading some pulp western short stories I found on the Internet and a few
novels by writers including Clarence M. Mulford, William Colt MacDonald, Max
Brand, William MacLeod Raine, and Louis L'Amour, all of whom have what I'd
characterize as a "pulp sensibility" in their approach to
story-crafting.
What differentiates Elmore Leonard, for me at least, is his
more literary approach. The story has plenty of the tension and action in a
cinematic style one would want and anticipate from a western that originated in
a pulp magazine. But its characters aren't entirely stereotypes and are
well-defined by their actions and words. Scallen is determined to see his job
through, but not without some fear. Kidd is cocky at times, but he's not the
one-dimensional gloating outlaw we've frequently encountered in print and on
film. His relationship with Scallen, as it develops, is not entirely what one would
expect. The dialogue conveys as much by what is left unsaid as by what is spoken.
"Three-Ten to Yuma" most definitely deserves its status as a classic.
Barry
Ergang © 2013
A
Derringer Award winner, some of Barry's written work is available at Amazon and Smashwords.
Subscribe to:
Posts (Atom)

