Showing posts with label hardboiled. Show all posts
Showing posts with label hardboiled. Show all posts

Friday, December 05, 2025

Barry Ergang's FFB Review: UNFAITHFUL SERVANT (2004) by Timothy Harris


From the archive….

 

I might as well say this right at the beginning: Unfaithful Servant is one of the best hardboiled detective novels I’ve read in a long time.

 

I discovered Timothy Harris’s work in the early 1980s when I stumbled upon a paperback edition of Good Night and Good-Bye. Cover copy hyped it as being “in the tradition of The Long Goodbye,” which automatically demanded that I read it because The Long Goodbye is my favorite novel. Read it I did, and found some similarities to Raymond Chandler’s masterwork, but was also pleased to see that, unlike too many other authors who tried unconvincingly to imitate Chandler, Harris chose to write in his own style, which is colorful and entertaining. As a result of loving the book, which I later acquired in hardback, I bought a copy of Kyd for Hire, Harris’s first novel about Southern California private investigator Thomas Kyd, which I recall thinking reminded in me ways of The Big Sleep, and which I also quite enjoyed.

 

Then I waited over thirty years for another Thomas Kyd novel. Fortunately, Unfaithful Servant—which description can refer to Kyd as well as to others in the story—was eminently worth the wait.

 

When Kyd is approached by fourteen-year-old Hugo Vine, who offers him a fifteen-thousand-dollar Rolex to watch his parents, his refusal sets the boy raging insults and obscenities at him. A few months later he encounters Hugo yet again. Their conversation is brief because Kyd is on a case and hasn’t time for a lengthy chat.

 

Hugo is the son of Hollywood actress Sally Vine and her late producer husband Daniel Vine, as Kyd learns when he’s contacted by Sally’s lawyer and summoned to the Vine home, threatened with the charge of contributing to the delinquency of a minor. In attendance at the meeting are the lawyer, Hugo’s therapist, a deputy city attorney, and a Robbery-Homicide detective with an attitude. It isn’t until the meeting ends that Kyd meets Raj LaSalle, Sally’s current husband, and Sally herself. The actress transparently manipulates the reluctant Kyd into accepting the job of keeping an eye on Hugo, who may or may not be using or dealing drugs, to learn what he’s up to and to prevent him from getting into trouble.


Doing so results in a stormy relationship with a determined, possibly disturbed, and ultimately endangered Hugo because it isn’t long before Kyd learns that the boy is certain his father’s death was not a skiing accident but a deliberate murder, and that he, Hugo, is not only sure he knows who the killer is, but also knows someone who claims to have witnessed the crime. As Kyd probes further, additional deaths occur, at least one of which he’s accused of, and he has to contend with cops who are honest but suspicious as well as  others who are corrupt and brutal; sycophants with delusions of cinematic grandeur and their monied idols; tabloid “journalists;” a lawyer friend whose eye is always on the big, constantly-remunerative score; and those who would harm a savvy but justifiably depressed fourteen-year-old kid.

 

A successful screenwriter, Timothy Harris knows his turf, vividly evoking the Hollywood film community and the southern California landscape, external and internal. Building steadily to an intense finish, this is an excellently-paced novel in which the characters, major and minor alike, are three-dimensionally configured and examined insightfully. Not the least of these is Kyd himself. Unlike the heroes of most private eye series, about whom we’re told mostly superficial things and shown only their quotidian routines, Kyd reveals significant moments about his past, including boyhood and familial circumstances and events that shaped the man he has become, that were the geneses of some of the demons he must contend with now.  

 

Unfaithful Servant was originally released in a hardcover edition from Five Star Publishing, which sells mainly to libraries. From what I’ve seen at Internet sites, booksellers are asking high prices for it both in hardcover and advanced reading copy paperback editions. As far as I’m aware, it has never been released in a trade or mass market paperback edition. I read it in reasonably-priced Kindle edition from Endeavour Press, which came out in 2014, but have not been able to find it in other electronic formats.

 

As has become all too typical in both physical and electronic books nowadays, this one has a few typos and some incorrect punctuation. Fortunately they’re relatively few, and most readers will find them ignorable. Two errors that stood out for me were venal, in discussing sin, when venial was the intended word; and Invisible Man model when the old Visible Man plastic model is what Harris meant. The other errors are not likely to disrupt a reader’s flow.

 

Unfaithful Servant is a must-read for fans of hardboiled private eye novels—provided they aren’t squeamish about street language and graphic violence. Although Harris doesn’t inundate the reader with raunchy verbiage, he doesn’t shy away from it when it serves to delineate someone’s manner of expressing himself and his feelings. Some of the violence is very explicit, especially that in a climactic moment in which a character gets his comeuppance. I found it satisfying; others may find it gross.

 

Timothy Harris, in my estimation, is a top-tier writer who merits the same kind of accolades and esteem accorded to masters of the genre Dashiell Hammett, Raymond Chandler, Ross Macdonald, and Lawrence Block, among others. I highly recommend the title under consideration here and its two predecessors, which I should reread one of these days. The big question is whether there will be another Thomas Kyd novel—and when. I hope the answers are Yes and Soon because I probably don’t have another thirty years ahead of me.  




Amazon Associate Purchase Link:  https://amzn.to/44aEnE7   

 

 

Barry Ergang ©2015, 2019, 2025 

Derringer Award-winner Barry Ergang’s written work has appeared in numerous publications, print and electronic. Some of it is available at Amazon and at Smashwords. His website is http://www.writetrack.yolasite.com/ and he can be reached there for your editorial needs.

Wednesday, May 08, 2024

Short Story Wednesday Review: Hoods, Hot Rods, and Hellcats Editor Chad Eagleton

 

Been a really bad three weeks here, physically and mentally, so I am dipping into the massive archive yet again…

 

The title of Hoods, Hot Rods, and Hellcats says it all even before you get to the cover tag line of Drive Fast. Kill Young. Love A Pretty Girl. This anthology edited by Chad Eagleton certainly delivers on that premise. The image of the 50's depicted in Happy Days, American Graffiti, and others is quickly shattered by the introduction by Mick Farren. It sets a tone that is held up quite well by the eight authors involved in the book. 

 

Coming up first is Christoper Grant with “1958: Somewhere In Texas” where three young lesbians are on a robbery and killing spree. Shifting in time back and forth across several months it becomes clear how things began and escalated quickly. 

 

“Red Hot” by Thomas Puck follows next with a tale of Bobby, Karen, and the love of fast cars and beautiful woman. Both are equally dangerous and like a lot of other things can end up being expensive in so many ways.

 

Don Bayliss likes to steal things. It is a passion for him. 17 year old Sharon has ignited another passion in “Forlorn Hope” by Matthew Funk. Having seen combat he is looking for something. He isn't the only one looking.

 

Brothers Charlie and Butch rob places in “Only The Vultures Will See Me Hang” by Nik Korpon. Both served and saw combat and get along well enough most of the time. Then, there are the other times when plans don't go so well just like what often happened in combat.

 

A guitar is the supreme goal for John. Growing up in a Christian household he should have known not to steal it. But, he did and then things got rough in “Lola” by Eric Beetner.

 

Editor Chad Eagleton comes next with his tale “Blue Jeans And A Boy's shirt. “ A fast car, a sawed off shotgun, and a girl walking on a bridge change the future for Lonnie Bonner. Like other stories in the anthology, combat flashbacks play a major role in this tale. Combat that though it happened in the past still fuels the actions of Lonnie now as well as many others in these tales.

 

“Scarred Angel” by Heath Lowrance comes next with a tale where a beautiful hellcat is the one driving the action. Unlike most of the preceding stories where the guys are running things (or at least appear to be) in this case a woman dubbed “Frankie Scar” is definitely running the show. Scotty knew she was something when he saw her at “Jimmy Bo's.” Thanks to his buddies he finally went and said hello. Thanks to her he soon was on a wild ride he would be lucky to survive.

 

“Headless Hoggy Style” by David James Keaton is the final and possibly the most disturbing story of the anthology. Jake is never sure what Cherry is thinking. He plans on getting her to talk and Uncle Jake might be able to help. He also has some things to do as does his Uncle in this dark tale.


The book closes with an acknowledgments section detailing the contributions of those who kept the project alive followed by detailed bios of the contributor's.

 

Reviewing a collection or an anthology is tough as one does not want to give away too much and ruin the stories. This was certainly the case here with these very complicated tales. They are violence filled short stories peopled by characters that usually do what they want when they want to do it. Adult language, adult situations, and more fill the pages of this anthology that proves the point made in the introduction. There was a very dark and very violent side to the 50's and Hoods, Hot Rods and Hellcats gives you a small glimpse of that along with some solidly good stories.

 

Amazon Associate Purchase Link: https://amzn.to/3wftIuh

 

E-book was provided by the editor in exchange for my objective review.

 

Kevin R. Tipple ©2014, 2024

Friday, April 19, 2024

Barry Ergang's FFB Review: Fast One by Paul Cain


From the massive archive…

 

I can enthusiastically recommend Fast One to any reader who loves the hardboiled school—especially from the pulp era—but don’t ask me for a detailed plot summary. That’s next to impossible. Suffice it to say that a tough character named Gerry Kells, who is visiting L.A. from New York and who seems to know every major racket boss in southern California, is in the first chapter framed for a murder he didn’t commit, and who spends the remainder of the book either dodging or deliberately confronting cops and hoods with words, fists, and firearms. Along the way he considers trying to take over L.A.‘s rackets himself.

 

It’s an aptly titled book because the story roars along at a hectic pace. The pace is aided in no small measure by Cain's staccato prose style, which almost redefines “lean and mean.” But the pace and the story’s complexity are the book’s undoing because there is no characterization for readers to relate to. Most of the players—including the principal female—are referred to only by their last names. The absence of character definition reduces them to mere names on the page. It’s frequently an effort trying to recall from one chapter to another who's who and who's done what to whom.

 

Fast One has long been hailed as the ne plus ultra of hardboiled gangster tales by the likes of Bill Pronzini, E.R. Hagemann, and Raymond Chandler. David A. Bowman, in his introductory essay to the 1987 Black Lizard edition I have, writes: “Cain took the hardboiled style as far as anyone would want to. Fast One is the Antarctica of hardboiled writing. There is nowhere else to go.”

 

Forget about any insights into the human condition or any other sorts of profound meanings. Just buckle up and go along on the wild ride.

 


For more on this novel or the Golden Age of Detection follow the link to the GA Detection wiki. http://gadetection.pbwiki.com/Fast-One

 

Amazon Associate Purchase Link: https://amzn.to/4aX3gnK

 

Barry Ergang © 2007, 2014, 2024

Some of Derringer Award winner Barry Ergang’s work can be found at Amazon and Smashwords.

Friday, December 15, 2023

Barry Ergang's FFB Review: THE JUGGER (1965) by Richard Stark

 

The late Donald E. Westlake was a versatile writer whose output ranged over a number of fields. But it is crime fiction for which he is most famous, for which he was deservedly acknowledged by the Mystery Writers of America as a Grand Master, and in which he wrote under his own name and under a variety of pseudonyms. Under his own name he will always be remembered as one of the greatest exponents of the comic crime novel with titles that include The Hot Rock, God Save the Mark, I Gave at the Office, What's the Worst That Could Happen?, and Two Much.

 

As Richard Stark, probably his best-known pseudonym, he produced a very successful series of ultra-hardboiled novels, several of which were filmed—see The Thrilling Detective website for more information. The books starred Parker, a professional thief: "Once or twice a year, Parker was in on an institutional robbery...It wasn't out of humanity that he limited himself to organizations, it was just that organizations had more money than individuals....

 

"Parker wasn't a single-o. He always worked with a pickup group gathered for that single specific job. Every man was a specialist, and Parker's specialties were two; planning and violence. Other men were specialists in opening safes or scaling walls or making up blueprints from nothing more than observation, but Parker was a specialist at planning an operation so it run smoothly, and at stopping any outsider who might be thinking of lousing things up."

 

The premise of The Jugger, the sixth book in a series which does not necessarily have to be read in order, is fairly simple. Joe Sheer is a jugger, a safecracker, living in the small town of Sagamore, Nebraska under the name Joseph Shardin. Now retired, he sometimes acts as an intermediary between Parker and others in his particular line of work. He writes to Parker who, when not pulling heists, lives in Miami under the name Charles Willis, an identity he has painstakingly constructed over a period of years. Sheer's first letter indicates that he's in some kind of trouble, that he'll handle it, but that Parker shouldn't try to contact him until the matter is settled. A month later a second letter arrives, this one asking for Parker's help. Parker packs a bag and, as Charles Willis, goes to Sagamore. He does so not out of loyalty or friendship toward Sheer—there is nothing noble about him; he does so for the sake of self-preservation. "Joe Sheer could crucify Parker, he could nail him to the wall with a hundred nails...He knew him by his old face...He knew Parker's cover name, he knew twenty or twenty-five jobs Parker had been connected with, he knew enough about Parker to skin him alive."

 

Simple premise, right? All Parker has to do is find out what kind of jam Sheer is in and either help him out of it or kill him to protect himself. But not long after he arrives in Sagamore, things quickly become complicated. Sheer is dead, but nobody will level with Parker about how he died. A man named Tiftus, who "claimed to be a lock man" whom "Parker had never worked with...because he was too unreliable" shows up at Parker's hotel room, wanting to partner to find something valuable he's certain Sheer had hidden somewhere.

 

Parker goes to Sheer's house to look around for himself and is knocked unconscious by someone wearing a burlap bag for a mask. Not long afterward, Tiftus is found dead—in Parker's hotel room. Now Parker must deal with the corrupt Captain Younger, local head of the police department, and the honest, earnest state police investigator Regan—while trying to tie up loose ends, absolve himself of a connection to Tiftus's murder, find the actual killer, and ditch an unwanted new associate. 

 

 

To say anything more would be to spoil the excitement in this taut short novel. The Jugger is as hardboiled as anything Mickey Spillane ever wrote, but without the posturing. Parker is cold, efficient, and ruthless, the complete anti-hero. He lets nothing and no one stand in his way when he's trying to accomplish something. Even readers who think they're inured to fictional criminal activities might be surprised by  some of Parker's. Although he's repellent to anyone with moral sensibilities, he's so intriguing that readers who go for noir fiction will want to follow his adventures, a testament to Westlake's authorial skill.

 

As the quoted passages demonstrate, the author doesn't waste words, doesn't indulge in the kind of verbal pyrotechnics that can dilute and obstruct a narrative. Thus, the story's relentless pace infuses it with a raw power. The no-nonsense style reflects Parker's no-nonsense approach. A further testament to the author's skill is his ability to portray breathing, individualized characters—this despite the fact that the reader is given background information only about Parker and Captain Younger.

 

The Jugger will not appeal to readers who only like stories about heroes with noble codes of honor and conduct, nor will it appeal to readers who dislike onstage violence. Fans of rapid-fire hardboiled fiction will greatly enjoy and possibly even love it. To them I highly recommend it.

 

 

Barry Ergang ©2012, 2023

 

Derringer Award winner Barry Ergang’s own fiction can be found at Amazon and Smashwords.


Wednesday, June 28, 2023

Short Story Wednesday Review: Bad Men by Graham Powell

  

From the massive archive… you are also reminded that author Graham Powell will be reading at Noir At The Bar Dallas this Sunday evening at The Wild Detectives.

 

Bad Men by Graham Powell delivers the goods. The cover mentions the fact this collection is filled with “crime stories.” They definitely are crime stories. There are plenty of crimes, some mayhem, and a number of mysteries at work in these seven short stories. Short stories where people do what they do to survive and deal with the world as they see it.

 

“Grace, Period” opens the book where Tommy Roccaforte is being forced to relocate to an apartment far from where he used to live in Staten Island. Forced to give up his heavy oak and Italian leather furniture along with his old life to move to Tucson, all he has left is his wife Marie. That, a new job in a book store, and his old habits and urges which were not left behind when the Feds relocated him to save his life.

 

The man known to many as “Duke” for reasons that become clear was tending bar when Steven came in to talk that Wednesday night. Steven is just a college kid and out of place in the biker bar. But, he wants a job done and his money is good in “Payday.”

 

A job is also a major point in the next story titled “Cold Storage.” Dave Dewberry has a job in mind and wants Al to be involved. It involves a bank, a guy named Eugene Bosco, and the city of New York in its winter time glory.

 

The setting moves to Kentucky in “The Leap.” Specifically, the Kentucky State Correctional Center at Paintsville where new inmate Kenneth Pennywell has just arrived as the story opens. Assigned to the third room in dorm four, Pennywell has a plan for a certain inmate. The reason why is based on recent events told through flashbacks.

 

The truck may not be real and the narrator may not be stable in “The Ins And Outs.”  Then again, they really could be after him. He takes his medication and waits knowing if they find him they won’t make him wait long.

 

Crime Boss Bobby Gianetti was nabbed with a suitcase of money destined for one Tony Lambrusco. How the cops found out and what his bodyguards are going to do about it are a couple of things at work in “Cutting Diamonds.”

 

“Ken Bruen Is Dead, Alas” is the closing story of the book. A story that has its own story according to the preface. It is all best explained by reading it in the book. This is an incredibly funny read and a real highlight of the book.

 

Bad Men by Graham Powell is filled with plenty of crime, mystery, and certainly the possibility of  bad men. Ignoring the whole nature/nurture argument, these are seven short tales where the guys involved are doing what comes naturally. Whether or not they are truly bad men really depends on your moral compass …. assuming you have one.

 

 

Material was purchased to read and review using funds in my Amazon Associate Account.

 

Kevin R. Tipple ©2015, 2023

Friday, June 02, 2023

Barry Ergang's FFB Review: BLUE CHIPPER (1993) by Geoffrey Norman

 

From the magnificently massive archive…

 

A good student as well as a spectacular basketball player, William Coleman is, in the words of sheriff's lieutenant Tom Pine to his friend Morgan Hunt, "a blue chipper" as far as college recruiters are concerned. When Hunt asks what he means, Pine says, "A solid bet. He's the kind of kid who, if you get him, won't steal cars, burn the library down, or flunk out of school. And if you give him four other players who aren't just warm bodies, then he'll win you a championship."

 

Morgan Hunt, a man with a past that includes prison time for killing a man, for which he received a governor's pardon obtained by attorney Nat Semmes, now works as a private investigator, usually on behalf of Semmes. As it turns out, Semmes has done some work for William Coleman's mother: getting probation for William's brother Jackson, a man with a history of trouble whom Semmes is certain is "doomed" and likely to end up in prison.  

 

It's not long before his prediction comes true. Jackson is jailed for the murder of another man in a drug deal gone haywire. The day after, as Hunt learns when Tom Pine takes him to meet William's and Jackson's mother, a man showed up at her door claiming to be a friend of Jackson's. He told her that he could get the prosecutor to charge Jackson with manslaughter or possibly even self-defense instead of first-degree murder, which could land him in the electric chair, if William would agree to play basketball for the state university.

 

It's not long after Hunt goes looking for the man that murder occurs and that his own life and the life of Jessie Beaudreaux, the woman he's involved with, are imperiled. While trying to track down the person who is behind the scheme, he encounters a radio sports reporter, a successful coach, hired thugs, some wealthy "boosters," and learns how extensive, extreme, callous and cutthroat boosterism can be.

 

Morgan Hunt's first-person narrative shows him to be an intelligent, sensitive, and literate man who is nevertheless street-savvy, street-crude, and tough when he has to be. Author Geoffrey Norman has an excellent sense of pace and character, and his prose sparkles with vivid descriptions and colorful turns of phrase. Several blurbs on the paperback edition I read imply comparisons between Morgan Hunt and John D. MacDonald's Travis McGee. Although I think Hunt is very much his own man and needn't be compared to anyone, if I had to choose someone he's reminiscent of, it would be James Lee Burke's Dave Robicheaux more than McGee.

 

Not for readers who dislike raw language or onstage violence, Blue Chipper is recommended to fans of top-shelf hardboiled detective fiction. 


 

Barry Ergang ©2012, 2023

Among his other works, Derringer Award-winner Barry Ergang’s locked-room novelette, The Play of Light and Shadow, can be found in eBook formats at Smashwords.com and Amazon.com


Friday, May 27, 2022

FFB Review: Tequila Sunrise: Hardboiled P.I Nathaniel Rose: Bullets, Booze and Broads by Michael Bracken


While these days Mr. Michael Bracken is busy editing numerous anthologies that are often nominated and win awards, he is also a very talented writer in his own right. This is just one example from my magnificently massive archive.  

 

Having read and enjoyed very much the novel, Deadly Campaign by this author, I have been looking forward to reading this book for quite some time. But, getting my hands on a copy wasn't easy for a number of reasons. Finally, I got one and I wasn't disappointed in this hard hitting collection featuring private Investigator Nathaniel Rose.

 

The 103-page book is made up of seven complex stories involving Nathaniel Rose and a recurring cast of characters over a significant period of time. In almost every case, the women are sexy, the violence is hard hitting, and Rose gets the crook by any means necessary.

 

The book opens with the story "Partners" where Rose is nearly killed when his Mustang explodes. He survives and, with little idea who wanted him dead, starts looking.

 

"Fair Warning" follows and is a case involving a missing husband, fast food, and a tantalizing wife.

 

"Heartbreak Hotel" comes next in the book as well as in the book arc in terms of character development and time, and involves a missing fiancée. Simply making photocopies can get one killed it seems.

 

"Lucky Seven" is another aptly named story. In this case, seven witnesses can all detail for court how they saw a man kill his wife and her lover. The client just needs to know how good the case is, which on the surface, seems simple enough.

 

"Even Roses Bleed" revolves around a beautiful woman and her need to have her husband dead. Word on the street is Nathaniel Rose would fit the bill nicely, in more ways than one.

 

Strippers have always been a hallmark in detective fiction but rarely used to such good effect in "Tequila Sunrise and the Horse."

 

But after all, for any P.I. the cases are "Only Business." Something to remember in the sometimes stormy waters of love.

 

With an overall story arc linking the stories in this anthology and providing character development, this book is a very good read and more complex than many novels. The writing style is terse and hard hitting and usually in dialogue form. At the same time, scene descriptions come alive for the reader who will quickly become lost in the murky world of Bullets, Booze and Broads. 

 

 

Material received from the author in exchange for my objective review. 

 

Kevin R. Tipple © 2004, 2010, 2015, 202

Monday, May 06, 2019

Friday, March 01, 2019

FFB Review: UNFAITHFUL SERVANT (2004) by Timothy Harris Reviewed by Barry Ergang

Barry reminded me of this review and asked that I run it again as he thinks the book has not gotten near enough attention. Even though he supports that football team known as the Eagles, his wish is my long distance command so the review is back up today as part of FFB. One of many that will be mentioned on Todd’s blog so make sure you also check the list.


UNFAITHFUL SERVANT (2004) by Timothy Harris

Reviewed by Barry Ergang


I might as well say this right at the beginning: Unfaithful Servant is one of the best hardboiled detective novels I’ve read in a long time.


I discovered Timothy Harris’s work in the early 1980s when I stumbled upon a paperback edition of Good Night and Good-Bye. Cover copy hyped it as being “in the tradition of The Long Goodbye,” which automatically demanded that I read it because The Long Goodbye is my favorite novel. Read it I did, and found some similarities to Raymond Chandler’s masterwork, but was also pleased to see that, unlike too many other authors who tried unconvincingly to imitate Chandler, Harris chose to write in his own style, which is colorful and entertaining. As a result of loving the book, which I later acquired in hardback, I bought a copy of Kyd for Hire, Harris’s first novel about Southern California private investigator Thomas Kyd, which I recall thinking reminded in me ways of The Big Sleep, and which I also quite enjoyed.


Then I waited over thirty years for another Thomas Kyd novel. Fortunately, Unfaithful Servant—which description can refer to Kyd as well as to others in the story—was eminently worth the wait.


When Kyd is approached by fourteen-year-old Hugo Vine, who offers him a fifteen-thousand-dollar Rolex to watch his parents, his refusal sets the boy raging insults and obscenities at him. A few months later he encounters Hugo yet again. Their conversation is brief because Kyd is on a case and hasn’t time for a lengthy chat.


Hugo is the son of Hollywood actress Sally Vine and her late producer husband Daniel Vine, as Kyd learns when he’s contacted by Sally’s lawyer and summoned to the Vine home, threatened with the charge of contributing to the delinquency of a minor. In attendance at the meeting are the lawyer, Hugo’s therapist, a deputy city attorney, and a Robbery-Homicide detective with an attitude. It isn’t until the meeting ends that Kyd meets Raj LaSalle, Sally’s current husband, and Sally herself. The actress transparently manipulates the reluctant Kyd into accepting the job of keeping an eye on Hugo, who may or may not be using or dealing drugs, to learn what he’s up to and to prevent him from getting into trouble.


Doing so results in a stormy relationship with a determined, possibly disturbed, and ultimately endangered Hugo because it isn’t long before Kyd learns that the boy is certain his father’s death was not a skiing accident but a deliberate murder, and that he, Hugo, is not only sure he knows who the killer is, but also knows someone who claims to have witnessed the crime. As Kyd probes further, additional deaths occur, at least one of which he’s accused of, and he has to contend with cops who are honest but suspicious as well as  others who are corrupt and brutal; sycophants with delusions of cinematic grandeur and their monied idols; tabloid “journalists;” a lawyer friend whose eye is always on the big, constantly-remunerative score; and those who would harm a savvy but justifiably depressed fourteen-year-old kid.


A successful screenwriter, Timothy Harris knows his turf, vividly evoking the Hollywood film community and the southern California landscape, external and internal. Building steadily to an intense finish, this is an excellently-paced novel in which the characters, major and minor alike, are three-dimensionally configured and examined insightfully. Not the least of these is Kyd himself. Unlike the heroes of most private eye series, about whom we’re told mostly superficial things and shown only their quotidian routines, Kyd reveals significant moments about his past, including boyhood and familial circumstances and events that shaped the man he has become, that were the geneses of some of the demons he must contend with now.  


Unfaithful Servant was originally released in a hardcover edition from Five Star Publishing, which sells mainly to libraries. From what I’ve seen at Internet sites, booksellers are asking high prices for it both in hardcover and advanced reading copy paperback editions. As far as I’m aware, it has never been released in a trade or mass market paperback edition. I read it in reasonably-priced Kindle edition from Endeavour Press, which came out in 2014, but have not been able to find it in other electronic formats.


As has become all too typical in both physical and electronic books nowadays, this one has a few typos and some incorrect punctuation. Fortunately they’re relatively few, and most readers will find them ignorable. Two errors that stood out for me were venal, in discussing sin, when venial was the intended word; and Invisible Man model when the old Visible Man plastic model is what Harris meant. The other errors are not likely to disrupt a reader’s flow.


Unfaithful Servant is a must-read for fans of hardboiled private eye novels—provided they aren’t squeamish about street language and graphic violence. Although Harris doesn’t inundate the reader with raunchy verbiage, he doesn’t shy away from it when it serves to delineate someone’s manner of expressing himself and his feelings. Some of the violence is very explicit, especially that in a climactic moment in which a character gets his comeuppance. I found it satisfying; others may find it gross.


Timothy Harris, in my estimation, is a top-tier writer who merits the same kind of accolades and esteem accorded to masters of the genre Dashiell Hammett, Raymond Chandler, Ross Macdonald, and Lawrence Block, among others. I highly recommend the title under consideration here and its two predecessors, which I should reread one of these days. The big question is whether there will be another Thomas Kyd novel—and when. I hope the answers are Yes and Soon because I probably don’t have another thirty years ahead of me.      



Barry Ergang ©2015, 2019

Derringer Award-winner Barry Ergang’s written work has appeared in numerous publications, print and electronic. Some of it is available at Amazon and at Smashwords. His website is http://www.writetrack.yolasite.com/.

Thursday, February 01, 2018

Review: Switchblade: Issue 1, Volume 1, Edited by Scotch Rutherford

The first issue of Switchblade is an intriguing mix of both noir and hard boiled fiction. The anthology is divided into two parts consisting of flash fiction and short fiction. Per the introduction written by editor Scotch Rutherford, the tales in this magazine share a common goal of killing political correctness as violently as possible while also entertaining the reader.  Both goals are easily met in the first issue. Sensitive readers are warned that there is extensive use of adult language and/or adult situations. There is nothing cozy happening in these tales. 


The flash section opens with an author who has been a long time favorite of this reviewer, Paul D. Brazill. His tales always feature characters in the thick of their own mess and Tony Fowler in “Getting Away With It” fits the bill from the first sentence. Crashing a stolen BMW is bad enough and then things really go downhill.

Jim J. Wilsky is up next with “Gut Wrenching.” Wayne Lee Parsons really needs a doctor. A towel and some duct tape are just not going to get the job done.

Prison taught Bobbie a few things. Max has questions in “Re-election” by Fred Zackel.

Daylight shinning into a bar is never a pretty sight and the Rumkey is no exception in “Primed” by Scotch Rutherford.  Johnny owing Max instead is not an upgrade or is going to make things any better. Not there is any real choice for him or anyone else.

A kangaroo, a car, and a lot more is involved in the very short tale, “Urban Legend #223” by Susan Cornford.

After those five flash tales, it is on to the longer fare in the fiction section. The section opens with “The Stooge” by Tom Leins. Bradley Loomis is insane and needs to be put down like some sort of crazed wild animal. You have to do a lot of unsavory things working undercover and dealing with Loomis is just one of many.

Dave Williams died under the overpass last night. He was homeless. His family should know what happened in “Rats” by Liam Sweeny. The real world threw casted Dave out before the same thing happened to our narrator. He owes it to Dave to share his story.

Henry Eddie Nova has been coming to the home in Grosse Pointe to give the kid lessons for eight weeks now. He is supposed to be teaching the kid how to play in “That’s All Right Mama” by Steve Liskow. If the kid would practice, that would help. Everybody knows Henry Eddie Nova can play the guitar like nobody’s business. But, the kid is just not getting it.

The bright red Ferrari makes quite the statement in “A Taste For Danger” by Lawrence Kelter. So do two wise guys that step out of the car. Two of the biggest dirt bags Bensonhurst had ever produced are coming down the pier and getting on the boat. The Clip Joint is about to head into the evening sea with those two wise guys, a few other folks, and the latest batch of very expensive call girls.


There are submerged cars up and down Buffalo Bayou in Houston. Normally our narrator would be doing underwater work at oil rigs out in the Gulf. Then the layoff happened. The divorce happened. Now he is checking the cars for dead bodies and more in “The Apex Predator” by William Dylan Powell.

Nabih always makes a point to give Mr. K the nastiest twenty dollar bills he has. If he could find some cholera he would dip the twenties into that first before handing them over. He has his reasons in “North Creek Brown” by Preston Lang.

There are seven folks hanging out at the bar. Most of them are the regulars except for the stranger nursing his beer at a table in the back. Then the woman and her friend walk in and things start getting weird in “Stranger In A Bar” by Travis Richardson.

It is a cold night in Detroit and the casino has damn near cleaned out our narrator. He has five quarters left in “Killing Time So I Can Dig Myself A Deeper Grave” by Jack Bates. Then the old man shows up at the doors of The Big Wheel Casino. He just needs a little help in a tale that brings the first issue to a fitting close.

Switchblade: Issue 1, Volume 1 is a quality issue of gritty hard edged short stories. These are tales frequently filled with adult language and adult situations so sensitive readers should look elsewhere. These tales involve situations where things are headed sideways at best and into a wine filled gutter streaked with the blood of you and your enemies at worst.

While some folks have publicly complained about sloppy editing, I don’t agree. Most of what they are complaining about is actually stylistic choices made by the authors involved to tell their tales. My only complaint would be the very small typeface. Difficult to read on the iPad and nearly impossible to read in the Kindle for PC program, the typeface resisted all of my efforts to enlarge it.

If you like your reading with violence and dark edges, Switchblade: Issue 1, Volume 1 is definitely for you.  




Switchblade: Issue 1, Volume 1
Editor Scotch Rutherford
Caledonia Press
April 2017
ASIN: B0718SWXZ9
eBook (also available in Print)
110 Pages
$2.99



Material was picked up to read and review during a promotion by way of funds in my Amazon Associate account.




Kevin R. Tipple ©2018