Trace Evidence: It’s All One: Music, Stage, and Words on the Page (by Steve Liskow)
Thursday, February 20, 2025
Wednesday, March 06, 2024
SleuthSayers: MURDER, NEAT, or The Twenty-four Bar Blues
Monday, June 06, 2022
SleuthSayers: Crime Conn '22 by Steve Liskow
Monday, May 23, 2022
SleuthSayers: Writing Outside the Outlines by Steve Liskow
Monday, May 09, 2022
SleuthSayers: Crime Hits Home (An Exercise in Shameless Self-Promotion) by Steve Liskow
Monday, April 25, 2022
SleuthSayers: Style NEVER Goes Out of Style by Steve Liskow
Monday, April 11, 2022
Monday, March 28, 2022
SleuthSayers: Looking For the Next Best Thing by Steve Liskow
Monday, March 14, 2022
SleuthSayers: Guys Writing Girls by Steve Liskow
Monday, February 28, 2022
SleuthSayers: Rolling With The Punches by Steve Liskow
Monday, February 14, 2022
SleuthSayers: Love and Carnage by Steve Liskow
Sunday, January 30, 2022
SleuthSayers: Gettin' Back My the Mojo by Steve Liskow
Monday, January 17, 2022
SleuthSayers: Next to Last Step by Steve Liskow
Thursday, January 13, 2022
Guest Post: On Writing “Kick Out the Jams” by Steve Liskow
Please welcome back Steve Liskow to the blog today. Like Tom Milani who recently shared his experience of writing his short story, A Hard Night In Hamburg, for the Groovy Gumshoes: Private Eyes in the Psychedelic Sixties anthology, Steve Liskow has a story in the anthology. Today he shares the background for his tale, Kick Out The Jams. Edited by Michael Bracken, the book is currently scheduled to come out in April. One gets the feeling that April is destined to be a busy month for anthology readers.
Some time ago, Michael Bracken posted a submission
call for Groovy Gumshoes, Psychedelic PIs in the Sixties. He encouraged
writers to use a real historical event in the story, and I graduated from high
school in 1965, so I knew the turf.
But what major event? We saw several assassinations, the
Cuban Missile Crisis, the Beatles on Ed Sullivan, Vietnam, Woodstock…so many
choices. I wanted one nobody else would select so I’d stand apart.
Then I remembered the riots.
I attended Oakland University’s summer session in
1967. Oakland County lies just north of Detroit. About 85% of the Oakland
students were residents of the Detroit Metropolitan area, and many lived on
campus to avoid the commute.
One Monday morning in July, CKLW radio reported that police
had raided a “blind pig” Sunday night. By Monday afternoon, organized
resistance swept the city. My dorm mates and I watched the television coverage
as the fires grew and demonstrators kept fire fighters at bay with bottles and
rocks. The Detroit police actually had radio stations stop playing the Doors’
“Light My Fire,” number three on the charts.
Over the next four days, 100 blocks burned, including
the homes of two of my dorm mates. One watched his house collapse on ABC
evening news. I don’t remember his name, but I still see his face.
My room mate at the time became an attorney in
Detroit, and I asked him to email me pictures. I had a Detroit map because my
Woody Guthrie series is set in Detroit already. I had albums by the Motown groups,
Bob Seger, The Amboy Dukes, The Stooges, and the MC5. The following winter, the
MC5 recorded their first LP live at the Grande (pronounced GRAN-DEE) Ballroom
in Detroit, including the song “The Motor City’s Burning.” They performed at
the Grande the weekend after the National Guard arrested thousands of people.
Their famous (censored) album cut was “Kick Out The Jams,” introduced by the
singer as “Kick Out the Jams, Mother F#*@&s,” the last part being sloppily
dubbed to “brothers and sisters,” but not until the record’s second pressing.
There was my title. I gave my PI a case following a
radical young woman who had a lot to do with starting the fireworks. I wrote
the first draft in two days and kept polishing the dialogue and details.
It will appear in Groovy Gumshoes sometime in
April. I hope you’ll pick up a copy and take a walk down memory lane, even
though there are some dark spots along the way. That’s what noir’s all about,
innit?
Steve Liskow © 2022
Steve Liskow (www.steveliskow.com)
has published 16 novels and 40 short stories in Alfred Hitchcock’s Mystery
Magazine, Black Cat Mystery Magazine, Tough, Mystery Magazine, and various
anthologies. Before Covid-19 appeared, he conducted fiction writing workshops
at libraries throughout central Connecticut. He has appeared on panels for both
MWA and SinC, and blogs on Sleuthsayers.org. He has been a finalist for both
the Edgar Award and the Shamus Award, has won Honorable Mention for the Al
Blanchard Story Award four times, and was the first two-time winner of the
Black Orchid Novella Award. He lives in Connecticut with his wife, Barbara, a
costumed tour guide at the Mark Twain House.
Thursday, January 06, 2022
Guest Post: On Writing “Jack in a Box” by Steve Liskow
Please welcome Steve Liskow to the blog
today. His short story, Jack in a Box, will appear in the upcoming anthology, Mystery
Writers of America Presents Crime Hits Home: A Collection of Stories from Crime
Fiction's Top Authors. Edited by S. J. Rozan and published by Hanover
Square Press, the book is scheduled to be released on April 19th. It
can be pre-ordered now at the link below.
One of the perks of being an active member of MWA is
that you get submission calls for the themed anthology the group produces two
years or so. They’re edited by a well-known writer, and the theme works as a
good writing prompt. Over the last decade, I have submitted five stories. I
only made the cut with one of them (“Hot Sugar Blues,” which showed up in Vengeance,
edited by Lee Child), but all the others eventually sold somewhere.
In summer of 2020, MWA called for stories to fill Crime
Hits Home, edited by SJ Rozan, one of my favorite writers. I’ve met her at
two events and liked her as much as her writing, so I wanted a story in a
collection with her name on it.
Crime Hits Home features
stories that revolve around what “Home” means to different writers. The
submission call quoted Robert Frost’s line from “The Death of the Hired Man.” I
took it for granted that the judges would receive several stories that dealt
with family reunions, home invasions, or both. That meant I needed something
different to avoid being buried in the crush. After a few days of doodling and
free-association, I thought of the opposite of home, homeless.
What if my protagonist were homeless? Why was he
homeless? One thing led to another, and I decided he had emotional or mental
challenges, or both. My wife, the brains of the outfit, offered a tentative
title, “Jack in the box,” and I grabbed it. Jack lived in a box, and I figured
out why. He needed to be damaged, but not pathetic, so I added humor to keep
from writing a sermon on the less fortunate.
When I remembered that Rozan likes cats, I added some
to the cast. And a dog (Who says we can’t live together?). Jack has so much in
common with stray dogs and cats that they hang out together. If you’re NOT a
writer and you hear voices, it’s probably a bad thing, but when my characters
start talking to me, it means I’m on the right track. Jack’s voice got clearer
and clearer, especially his thought process, which is linear and concrete, but
a little…different.
Now I needed a crime. Jack’s homeless and damaged, and
he likes animals. What if someone else didn’t like animals? From there
on, it was pretty easy.
I wrote the rough draft in three days and spent the
next month tweaking it. When I sent it out, I hoped the judges didn’t think I
colored too far outside the lines. They didn’t.
If tradition holds, Crime Hits Home will launch
during Edgars Week. “Jack in a Box” will be the next-to-last story, the opening
act for Rozan’s own story. Check it out.
I hope you like the collection, but have a special soft spot in your heart for
Jack.
Steve Liskow ©2022
Steve Liskow (www.steveliskow.com)
has published 16 novels and 40 short stories in Alfred Hitchcock’s Mystery
Magazine, Black Cat Mystery Magazine, Tough, Mystery Magazine, and various
anthologies. Before Covid-19 appeared, he conducted fiction writing workshops
at libraries throughout central Connecticut. He has appeared on panels for both
MWA and SinC, and blogs on Sleuthsayers.org. He has been a finalist for both
the Edgar Award and the Shamus Award, has won Honorable Mention for the Al
Blanchard Story Award four times, and was the first two-time winner of the
Black Orchid Novella Award. He lives in Connecticut with his wife, Barbara, a
costumed tour guide at the Mark Twain House.