From the massive
archive…
The late, great
Stanley Ellin was a painstaking craftsman, as Ellery Queen (Frederick Dannay)
details in his introduction to Kindly Dig Your Grave and Other Wicked
Stories. The results justified the pains he took, as demonstrated by
the fact that his first published story, “The Specialty of the House,” is
acknowledged as a classic of its kind. (Those who haven’t read it may have seen
the televised versions on “Alfred Hitchcock Presents” and “The Alfred Hitchcock
Hour,” the former version having a shorter running time but being truer to the
original story. As of this writing, both versions are available on YouTube.)
Ellin won two Edgar awards for other short stories and one for a novel. The
(mostly) character-driven stories in the collection under consideration here
bolster his well-deserved reputation.
In "Kindly
Dig Your Grave," the reader meets Madame Lagrue, a Parisian art dealer who
specializes in bad paintings that sell especially well to the American market
hungry for work "by great French artists at reasonable prices." She
has found an effective method of dealing with hungry artists to whom she can
pay a pittance for their canvases, which she then sells for a 500- to
1000-percent profit. One of her hapless suppliers is a painter named O'Toole.
When a tough-minded young Algerian woman who goes by the alias Fatima becomes
enamored of him, she quickly realizes how Madame Lagrue is taking advantage and
sets out to rectify the situation in this comical biter-bit tale.
Dispirited in
spite of being exonerated of graft charges and told he can return to duty
though not even his father is sure he's innocent, Noah Freeman takes a trip to
Rome, Italy to try to decide whether or not to go back to work as a New York
City police detective. He finds himself drawn to an attractive but distant,
cynical young woman, Rosanna, who works at the pensione he's staying in. When
he learns that her father was killed by partisans twenty years earlier during
WWII because they were sure he had betrayed them to the Germans, resulting in
the deaths of three members of the Resistance, and that the stigma attaches to
her and her brother to this day, Noah sets out to get to the bottom of
"The Crime of Ezechiele Coen." I correctly guessed the outcome of
this story quite early into it. Nevertheless, it lost none of its power or
poignancy.
In "Death
of an Old-Fashioned Girl," Elizabeth Ann Moore is anything but. She's
quite the drama queen, portraying herself as naïve and ingenuous: "During
her brief lifetime she must have ingested enough romantic literature and
technicolored movies to addle a much larger brain than hers, and in the end she
came to believe that human beings actually behaved the way the heroine of a
melodrama would." She's actually quite manipulative, which is how she
managed to entice artist Paul Zachary to divorce his wife Nicole and marry her.
When she ends up knifed to death, the police aren't lacking for suspects. They
include the narrator, another artist, and his wife; Sidney and Elinor
Goldsmith, art gallery owners and the folks who discovered Zachary and helped
him achieve success; and Zachary himself. How the narrator and Zachary became
friends, and how theirs and the others' lives converged and Elizabeth Ann died
make for an absorbing story with a neat and fitting irony at its end.
When Max de
Marechal, editor of a magazine for wine connoisseurs, tells the wine merchant
Drummond he's writing an article about the greatest vintages various experts
have sampled and asks for an interview, they get into a small debate over
specific vintages and whether there could ever be any consensus among a group
of experts. De Marechal maintains there is one he's never tasted but which has
acquired a legendary status among authorities: Nuits Saint-Oen 1929. Because it
was produced in such a small quantity, he's certain that a single bottle no
longer exists. Drummond tells him he has "The Last Bottle in the
World" in his company's cellars. He has not been tempted to open it
because it's so old the wine might be bad. De Marechal asks if he'll sell it,
and Drummond says no. Ultimately, de Marechal introduces him to millionaire
Kyros Kassoulas and his wife, and he becomes involved in a tense domestic drama
in which the wine plays a pivotal role.
In another story
set in Paris, "Coin of the Realm," Millie gets on her husband Walt's
case for dressing like a tourist. Walt rather proudly proclaims that that is
what he is, and accompanies his tastefully-attired wife to a flea market. While
Millie haggles with a furniture seller, Walt, ostensibly looking for coins for
his business partner's collection at the partner's request, goes to see another
seller, Piron, for a much more sinister reason.
While Broderick
and Yates, both slightly inebriated, wait on Broderick's boat, Chappie and Del
set out in a dinghy toward the Miami Beach shoreline. Del stays on the dinghy
while Chappie swims to the Royal Oceanic Hotel to fulfill a grisly task. When
they return to the boat they demand "The Payoff," the nature of which
readers will never guess.
There are any
number of things Albert doesn't like—about himself and about others. His first
name, for instance. He resents his mother naming him for a figure on a pipe
tobacco can. He doesn't like women, but in his therapy session with Dr.
Schwimmer, he discusses his recurrent dreams about a "Girl, Doctor. Maiden,
if you will. Not a woman" with whom, for the first time in his fifty
years, he has fallen in love. In "The Other Side of the Wall," told
almost entirely in dialogue, Dr. Schwimmer employs a radical approach to help
Albert achieve catharsis and surprises the reader in the process.
A change of pace
in tone and approach from the stories that precede it, "The Corruption of
Officer Avakadian" displays Ellin's skills at writing humorously.
First-person narrator Avakadian, a
young, uncompromisingly by-the-book police officer, has been partnered
with the soon-to-retire Schultz, a jaded cop who is not above a bribe or a free
meal. When they are dispatched to the home of Dr. Cyrus Cahoon and his wife in
a wealthy neighborhood, they learn from Mrs. Cahoon that her husband has been
kidnapped. The victim happens to be present and confirms the story, which
becomes more and more bizarre as its details are revealed.
Script doctor
Mel Gordon can’t resist the lure of a poorly-written script, and Alexander File, tight-fisted producer of low-budget
schlock movies, knows it. Because he’s been successful working in television,
Gordon no longer needs to work for File, as he had done for a number of years
earlier in his career. But when File sends him the script for Emperor of Lust, Gordon
agrees to fly to Rome to improve it and help with the production. Apart from
making movies as cheaply as possible, File’s primary interest is in “dewy and
nubile maidens, unripe lovelies all the more enticing to him because they were
unripe. He loved them, did File, with a mouth-watering, hard-breathing, popeyed
love.” Once filming begins, it’s not long before tension sets in and conflicts
develop between File and Gordon, and between File and his director, his
cameraman, and a young man hired to create props in the novella “The Twelfth
Statue.” And then one evening File “walked out the door of his office and
vanished from the face of the earth as utterly and completely as if the devil
had snatched him down to hell by the heels.” Readers who think they see the
ending coming will only see part of it, so they can look forward to at least
one additional surprise.
The author’s
elegant, flexible writing style and sense of place, combined with storylines
that are far from run-of-the-mill and populated with colorful characters, make
this collection a wonderful read. I can highly recommend it to those who
appreciate the kind of literary craftsmanship whose ultimate result is pure
artistry.
Barry Ergang ©
2012, 2016, 2023
Among his other
works, Derringer Award-winner Barry Ergang’s locked-room novelette, The
Play of Light and Shadow, can be found in eBook formats at Smashwords.com and Amazon.com
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