This review first appeared
as an FFB review back in late April 2011. Having come across the review the other
day while looking for something else, it seemed fitting to remind you on this
final Friday of March in the year of 2018 that Barry had done this review. For
more reading suggestions today, head over to Todd’s blog.
NO CHANCE IN HELL (1960) by Nick Quarry
Reviewed by Barry Ergang
Marvin
H. Albert wrote a variety of novels under a variety of pseudonyms, among them
Albert Conroy, J.D. Christilian, Ian MacAlister, and Anthony Rome. (The Rome
titles included two that served as the basis for two films starring Frank
Sinatra: "Tony Rome" and "Lady in Cement.") He also wrote a
number of books as Nick Quarry, six of which starred New York private detective
Jake Barrow.
No
Chance in Hell is
fast-paced tale of chaos stretching from New York City to Santa Fe. Showing off
his expensive new apartment to his girlfriend Sandy, herself an undercover cop,
Barrow discovers that a sixteen-year-old girl named Nina Cloud has climbed in
through a rear window. Her father Johnny Cloud, an old wartime friend of
Barrow's, has told her to seek out the detective for protection after a woman
she was staying with is murdered.
Barrow,
worried that Johnny Cloud's phone may be tapped, doesn't want to call his New
Mexico ranch from the apartment for fear his—Barrow's—own number might prove
traceable, so he leaves Nina in Sandy's care and goes out to make the call. He
learns that Cloud, who occasionally drives big rigs for an Albuquerque trucking
company to supplement his income, left for New York several days earlier.
Returning to the apartment, he finds that Sandy has been shot and that Nina is
gone.
Barrow
also knows that a vicious killer named Ben Hanks—probably the same man who shot
Sandy—is after her, and he wants to get to Hanks before he can harm Nina. As
his investigation expands, he learns that Harvey Kew, who has his hand in a
number of rackets but who has so far evaded prosecution, is mixed up in
whatever Johnny Cloud has gotten himself into—because it gradually becomes
clearer that Cloud is involved somehow. As it turns out, he's in a New York
hospital recovering from gunshot wounds, but he won't tell Barrow or the police
what's going on until he's assured Nina is safe. Whoever is after him intends
to use Nina to prevent him from talking.
As his
investigation progresses, Barrow is framed by Ben Hanks for the savage murder
of a teenaged boy who was sheltering Nina, and now must manage to escape from
cops and evade killers while he searches for the girl. He wants to save her
life, of course, but he also realizes she's the only person who can clear him
of a murder charge. Aided by Johnny Cloud's beautiful sister, who goes by the
appropriate nickname Stormy, he must make his way across the country to New
Mexico to save Nina and force a showdown with Hanks.
How I
can adequately describe No Chance in Hell without resorting to
clichés like "action-packed" and "hardboiled"? It's simple.
I can't. It is. Should I tell you it moves like a runaway train? Well, yeah,
provided you understand it's the Bullet Train. And I guess I should mention that
there are a couple of high-tension chapters in which Barrow, trying to get away
from the police after he's been framed, must make his way almost blindly
through a network of underground sewer pipes—a section that vaguely reminded me
of a couple of chapters in Ian Fleming's Dr. No, which
predated No Chance in Hell by two years. I suppose I should
point out as a forewarning to squeamish readers that Albert/Quarry, like many
another author of paperback originals from this era, liked to dwell on the
physical attributes of female characters in some detail, as well as write
descriptions of sexual encounters that were overheated and overwrought to the
point of being unintentionally comical—to wit: "There was a roaring and
pounding of blood in my ears, a hot liquid urgency coursing all through me...I
pulled her closer in a rising madness and she was all coiled, supple strength
sheathed in springy softness—by turns provoking, refusing, demanding,
retracting, assaulting...And then her teeth were sinking into my shoulder,
stifling her gasping cries of pain and delight, and a furious whirlwind of
savage sensation swept me and I was attacking her slim agile wickedness in a
mounting, driving frenzy...."
Oy!
Although
it seems at first to be a straightforward thriller whose protagonist happens to
be a private eye, No Chance in Hell also turns out to
be a genuine detective story, with Barrow at the end resolving the mystery of
who wounded and later killed Harvey Kew. His explanation of what happened and
how he deduced it runs a tad longer than necessary, but nevertheless shows that
Barrow is a detective who can use his brain as well as his fists and
gun.
For
additional information about Marvin H. Albert, see http://www.thrillingdetective.com/eyes/barrow.html and #http://www.mysteryfile.com/GM_Albert/goldmedal_albert.html
Barry Ergang ©2011, 2018
While his website is http://www.writetrack.yolasite.com/ some of Derringer Award-winner Barry Ergang’s work is available at Amazon and Smashwords.com
3 comments:
I'm a big fan of Marvin H. Albert's work. He was a versatile writer who produced several successful series. My favorite is Albert's STONE ANGEL series.
Like George, I'm an Albert fan. My favorite works are his westerns, but I have found all of his books I've read (with the exception of some of his movie tie-ins) to be worthwhile.
One of these days I'll have to find some of his other works. I'm only familiar with the Jake Barrow series.
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