I have taken a break from all of the Bouchercon
thrillers that constituted my reading for a few weeks to go back to the Golden
Age mysteries waiting for me on my TBR stack. This week’s read was The Worm of Death by Nicholas Blake
(Harper, 1961), the 14th title in the Nigel Strangeways series.
Nicholas Blake is the pseudonym of Cecil Day-Lewis (27 April 1904 – 22
May 1972), the UK Poet Laureate from 1951 until his death. His protagonist in
16 of his books is Nigel Strangeways, an upper-class Oxford-educated amateur
investigator in the style of Lord Peter Wimsey or Albert Campion. He is the
nephew of an Assistant Commissioner at Scotland Yard, giving him
status with and access to official crime investigation and law enforcement
groups. This series first began in 1935 and ended in 1966, with a hiatus
during World War II.
In this story, Strangeways and his partner,
sculptor Clare Massinger, have moved into a house in Greenwich. They are
invited to dinner to meet some of their new neighbors, Dr. Piers Loudron and
his family. Rebecca, the only daughter, has become engaged to a man her father
dislikes. The oldest son James followed his father into the practice of
medicine but is overshadowed by his brilliant father. Harold runs a business of
some sort and has married a beautiful woman with roving eyes. Graham, the
youngest, was adopted by Dr. Loudron as a teenager and is openly the doctor’s
favorite, to the resentment of the others.
Nigel and Clare are startled to learn a few days
after their dinner at the Loudron household that Dr. Loudron has disappeared, leaving
his house in the middle of the night during a classic London days-long dense
fog. The diary that the doctor mentioned during their visit is also missing. The
police are called in but no clue to the doctor’s whereabouts is found until
about 10 days later when his body surfaces in the nearby river.
Even though this book was released in 1961, it is
classic Golden Age in every way: The unconventional family with its secrets and
open resentments, the detective who relies on talking to suspects and witnesses
and identifying discrepancies and conflicts in their statements rather than
physical evidence, the law enforcement colleague who provides forensic details,
the atmospheric setting. The river and the people who live on and near it as
well as the ships that frequent it are referenced often throughout and described
in exquisite detail. The writing is beautiful and literate, an absolute
pleasure to read, although the use of dashes in place of curses and epithets
definitely dates it. Highly recommended for anyone interested in classic
detective fiction.
·
Mass Market Paperback: 243 pages
·
Publisher: HarperCollins (paper) (January 1986)
·
Language: English
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ISBN-10: 0060804009
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ISBN-13: 978-0060804008
Aubrey
Hamilton ©2018
Aubrey
Hamilton is a former librarian who works on Federal It projects by day and
reads mysteries at night.
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