Texas author Earl Staggs is back with another mystery from the past that fascinates him. This is a case I had never heard of before Earl’s piece below…
HISTORY’S RICH WITH MYSTERIES
When I look at the past, I find stories about people which fascinate me, particularly those in which there is a curious mixture of fact, legend, and mysterious uncertainty. In this series of articles, I want to explore some of those stories. I think of them as mysteries swaddled in legend. While truth is always desired in most things, truth easily becomes staid and boring. Legend, on the other hand, forever holds a hint of romanticism and an aura of excitement borne of adventure, imagination and, of course, mystery.
AGATHA CHRISTIE – The original “Gone Girl”
By Earl Staggs
According to The Guinness Book of World Records, she is the best-selling novelist of all time. Only the Bible and Shakespeare’s works have sold more. Her books have been translated into 103 languages, more than any other author.
While she wrote six romance novels under the name Mary Westmacott, she is best known for her novels and short stories written under her own name and featuring, among others, two of the most popular characters in the mystery genre, Hercule Poirot and Miss Jane Marple. She also wrote “The Mousetrap,” a murder mystery play which opened in 1952 and as of 2015 is still running after more than 25,000 performances, making it the longest running play in history.
Her novel AND THEN THERE WERE NONE is her biggest seller with 100 million sales to date, making it the world's best-selling mystery ever and one of the best-selling books of all time.
In 1955, she was the first recipient of the Mystery Writers of America’s Grand Master Award, its highest honor. That same year, her play “Witness for the Prosecution” received an Edgar Award from MWA for Best Play. In 1971, she was made a Dame Commander of the Most Excellent Order of the British Empire. Her novel THE MURDER OF ROGER ACKROYD was voted the best crime novel ever by 600 fellow writers of the Crime Writers’ Association in 2013.
With all those honors, awards and accolades, you’d think everything about her has been said. Not so. Among mystery readers and writers, she is also well-known for her mysterious disappearance in 1926 and reappearance eleven days later. Agatha refused to explain the incident, simply putting it down to a bout of temporary amnesia.
She reportedly said only, "For 24 hours I wandered in a dream, and then found myself in Harrogate as a well-contented and perfectly happy woman who believed she had just come from South Africa."
Few people were convinced by this explanation. In her autobiography, she made no mention of those missing eleven days.
Over the years, a number of theories have surfaced regarding the incident. Some believe it was a publicity stunt to boost sales of THE MURDER OF ROGER ACKROYD, which was published in 1926 and became her first major success. That same year, her beloved mother died. Agatha considered her mom her best friend, confidante, and biggest supporter and felt her loss deeply. She took her daughter Rosalind to the home where she had grown up to sort through her mother’s things. Her husband Archie did not accompany them. Agatha fell into a deep depression over her mother’s death. When Archie finally came to visit, he gave her more bad news. He had become involved with a woman named Nancy Neele, and he wanted a divorce.
In an effort to save her marriage, Agatha took Rosalind and moved back home. On the evening of December 3, 1926, Archie went out alone. He said he was going to a weekend house party, but most likely, it was a rendezvous with his mistress.
Later that evening, Agatha left the house. Her maids said she was visibly upset. The next morning, her car was found abandoned an hour’s drive from home. Inside the car were clothes and other personal possessions. It appeared she had vanished into thin air.
Many suspected her husband Archie had murdered her and disposed of the body.
Agatha and Archie may have tried to save their marriage after her reappearance, but it was not to be. They divorced in 1928. Archie married Nancy Neele that same year and Agatha married archeologist Max Mallowan in 1930.
Public sentiment was negative toward the disappearance. Many felt it had been a publicity stunt which had cost the taxpayers a substantial amount of money.
“I believe that Christie had a definitive and terrible fight with her husband. It drove her over the edge. She had been depressed, now she becomes on some level psychotic. She is not herself. She wanders off. She gets on the train. She takes another name. She goes into this hotel and she lives another life. That’s very, very, very rare, but it’s known. It’s documented in the annals of psychology.”
Another author, Gwen Robyns, thought it was Agatha’s way of exacting revenge on her errant husband and said this:
“I think she took endless delight in the fact that the police shadowed Archie. He couldn’t go anywhere because they suspected him of murdering her. And I think she took marvelous delight in reading this in the papers. Again, I think in a sort of revenge and twisted up sort of way, she was thinking it was very funny.”
Laura Thompson's biography, Agatha Christie, An English Mystery, states Agatha did disappear as part of a publicity stunt. The purpose was not to increase sales in her novels, however, but to create a negative feeling toward Archie for being unfaithful. Unfortunately, instead of saving their marriage as she hoped it would, it cemented the fact that their relationship was over and could never be salvaged.
In his 1998 book, AGATHA CHRISTIE AND THE ELEVEN MISSING DAYS, author Jared Cade believes Agatha’s motive was clear:
“She wanted to disrupt his weekend with Nancy Neele and make him suffer, although she still adored him. What no one could have foreseen was the press reaction. She was propelled from being an author with a reputation into one of the most famous women in England.”
I think the best explanation of the incident comes from journalist John Ezard, writing for the Guardian newspaper in 2000. Ezard interviewed the daughter of Agatha’s sister-in-law and close friend, Nan Watts. The daughter claimed she knew the truth because she was with her mother and Agatha on the night of the disappearance. She said Agatha was hidden away by Nan Watts at their Chelsea home before being put on a train to Harrogate the following day.
This makes a lot of sense because Agatha could not have pulled it off by herself. After abandoning her car in Surrey, she needed someone to pick her up and transport her eventually to the train station in London.
Here’s how the daughter describes it:
It’s interesting that she mentioned Agatha using the last name Neele. That, in my mind, rules out amnesia. If she had amnesia, now could she have known that name?
It’s easy to compare Agatha’s disappearance and reappearance to the plot of Gillian Flynn’s novel GONE GIRL. In fact, it’s hard not to. Flynn did an excellent job with the novel and she also wrote the screenplay for the successful movie. While Flynn is a fine writer who made her novel interesting and unique in its own right, it’s easy to see examples of homage to Christie.
. . . in Flynn’s novel, a first person narrator is revealed as the perpetrator as Christie did in THE MURDER OF ROGER ACKROYD.
. . .in both GONE GIRL and Agatha’s real-life disappearance, the plot involves a disintegrating marriage and an unhappy wife who mysteriously disappears.
. . .in GONE GIRL, the wife disappears and lives under the assumed name “Nancy,” which was the first name of Archie Christie’s mistress.
. . .in GONE GIRL, the husband is suspected of foul play in the disappearance of his wife as Archie was in Agatha’s disappearance.
We are all free to form our own opinions as to why Dame Agatha staged her mysterious disappearance. We will never know for sure. She was the only person who knew, and she chose never to reveal exactly why she did it. That’s okay with me. For all her contributions to the world of the written word, for all the influences her literary legacy have given us, she earned that right.
Besides, once a mystery is solved, it becomes nothing more than a piece of history. An unsolved mystery lives forever and never stops taunting us from just beyond our reach.
Earl Staggs earned all Five Star reviews for his novels MEMORY OF A MURDER and JUSTIFIEDACTION and has twice received a Derringer Award for Best Short Story of the Year. He served as Managing Editor of Futures Mystery Magazine, as President of the Short Mystery Fiction Society, and is a frequent speaker at conferences and seminars.
He invites any comments via email at firstname.lastname@example.org
He also invites you to visit his blog site at http://earlwstaggs.wordpress.com to learn more about his novels and stories.