The Lover’s
Portrait by Jennifer Alderson (Traveling Life Press, 2019) is the first
Zelda Richardson mystery. Zelda Richardson was a website designer who burned
out on the long days and monotonous work of the technology world. She gave up
that life and moved to Amsterdam to start over. The portrayal of the
Netherlands is one of the very best parts of the book. She manages to get a
referral for an internship at the Amsterdam Historical Museum, which will give her an entrée to
the advanced museum management program she wants to attend. The museum is
working on an exhibition of unclaimed art from World War Two, hoping that the
publicity will identify former owners who want their property returned to them.
A resident of Missouri appears to claim
one of the paintings by an obscure artist, saying it was a portrait of her
oldest sister by her artist boyfriend who did not survive the war. The museum
congratulates her and themselves on linking the two until a resident of New
York appears with her lawyer and documentation showing the painting belonged to
her gallery owner grandfather.
Zelda became involved in researching the
provenance of the painting and the backgrounds of the two claimants. The New
York resident became so aggressive in her demands that Zelda began to wonder if
another and more valuable painting was actually hidden underneath the visible
one. She took it to the museum restoration specialist for examination, giving
the author the opportunity to describe in considerable detail the technical
aspects of assessing old paintings.
Several
chapters of the book describe the desperation of the original owner in 1942 as
he hid his collection of paintings from the Nazis and prepared to flee to
safety.
This book is
uneven. Parts are well done: the author thoroughly researched both relevant history
and museum management and it shows. The characterization needs work, the
portrayal of the original claimant from Missouri as a country bumpkin was unlikely,
considering she was born and spent her early years in Germany. Likewise the
hostile museum curator was extreme. The plot was not entirely credible,
although the author explains in the notes section that European museums have
held exhibitions of unclaimed art in order to find owners just as described.
Worth reading for the history, the description of museum operations, the technical aspects of painting evaluation, and the great portrayal of life in the Netherlands. For cozy readers.
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Publisher: Traveling Life Press
(April 15, 2019)
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Language: English
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Paperback: 302 pages
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ISBN-10: 9083001113
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ISBN-13: 978-9083001111
Aubrey Nye Hamilton
©2022
Aubrey Hamilton is a former librarian who works on Federal It projects by day and reads mysteries at night.
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