Greg Levin: Interview with S.A. Cosby: Tearing Up the Crime Fiction Scene with High-Octane Tales

Greg Levin: Interview with S.A. Cosby: Tearing Up the Crime Fiction Scene with High-Octane Tales

Jim Nesbitt Reviews: Blacktop Wasteland by S. A. Cosby

Jim Nesbitt Reviews: Blacktop Wasteland by S. A. Cosby

Saturday Mail Call

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Barry Ergang Reviews: A MAJOR PRODUCTION! (2018) by Thomas B. Sawyer

A MAJOR PRODUCTION! (2018) by Thomas B. Sawyer

Reviewed by Barry Ergang

New Yorker Barney Moon, private investigator, hates Los Angeles, a city for which he has a number of unflattering appellations including “Whackoville,” “Tinselburg,” and “Goofyland.” But after clearing up a case for a client of the Eller Insurance agency, one involving a corrupt judge and an incriminating file labeled Stuff, Barney gets a phone call from his old friend Saul Flockman. A hedge fund manager, he and Barney exist “in distant worlds, largely out of touch except for several instances of Saul’s personal stress during which he had hired Barney for domestic surveillance.” Saul constantly worries that his actress wife Wanda Gooden is playing around on him, and has on three prior occasions hired Barney to check up on her. Barney has yet to catch her “in anything even approaching compromise or lying.”

Now Saul wants to hire Barney again, and for the same purpose. One of Saul’s clients, Hollywood agent Irwin Kerner, has told Saul that if he—Saul—invested half a million dollars in an independent film production, Kerner could get Wanda a good role. The production company is Ganell Films, about which Kerner has been unable to find any information. Wanda has gone to L.A. to try to learn why her part hasn’t yet happened.

Saul explains that over time, Kerner has come to owe him over a million dollars—money he paid the agent to help along Wanda’s career. He suspects Kerner has gambled it away at “casinos and the like.” But as much as he needs to recoup his losses to Kerner, Saul needs to know if Wanda has been cheating on him with the agent. He also knows Barney hates L.A., and is willing to double the usual fee plus a bonus, also figuring the job will be a quickie: “red-eye out, red-eye back.”

Barney feels for his friend, but also “knew himself. That no matter how simple his cases were, there was almost invariably something else that would catch his eye—and his curiosity…a kind of a fatal flaw.” But because both Saul and Wanda are friends, he curses and takes a flight to Los Angeles.

Having grown up and lived most of his life in New York City, Barney has never learned to drive. Thus, he must avail himself of the services of the lovely Melodie Seaver, whom he’s known from a prior visit to L.A. With her chauffeuring, he stakes out Kerner’s home, then Kerner at a Rodeo Drive restaurant with Wanda, and later Kerner’s office. At the latter he observes an attractive woman who emerges and burns some papers, after which he goes inside to case the office himself and rifle it for some evidence for his friend and client, Saul Flockman.

When he cautiously returns to the car, police vehicles and sirens having pierced the vicinity, Melodie tells him she witnessed the shooting death of the woman whom Barney had earlier seen outside of Kerner’s office.

What ultimately ensues and keeps Barney an unhappy professional captive in Cloud- Cockamamie-Land, in part because of his aforementioned fatal flaw, is his inadvertent embroilment in situations that involve, among others, the mechanically-skilled brothers Cory and Pete Bilchek; drug dealer and money-launderer Renaldo Esteban and his crew; fledgling screenwriter Jonah Whiting, and Homeland Security Agents Vincent Rogers and George Lippet—all while trying to solve the murder of Phyllis Carridi, wife of powerful mob boss Angelo Carridi. Caught between Carridi and the cops and D.A., and up against a literal deadline, Barney will need all of his wits to figure out everything that’s going on in this entertaining rapid-fire amalgam of thriller, whodunit, and screwball comedy.

The version I read was a digital advanced reading copy which contains some typos and other errors, the biggest problem being a plethora of incorrect punctuations. I hope and assume an editor/proofreader corrected them in the paperback and electronic final editions.

© 2018 Barry Ergang

Some of Derringer Award-winner Barry Ergang’s work is available at Amazon and Smashwords.

Guest Post: Excerpt from THE RIGHT WRONG NUMBER: An Ed Earl Burch Novel by Jim Nesbitt

Today on the blog, we have something a bit different as it has been a long time since there has been an excerpt from a new book shared here. Bill Crider recently reviewed this so go take a look at that review after you read the excerpt below.

THE RIGHT WRONG NUMBER: An Ed Earl Burch Novel

Jim Nesbitt

ONE

It wasn't San Francisco or London, but the fog was thick and flowing -- like tufts sucked from a bale of cotton, carrying the muddy tint of a used linen filter. It made him think of trench coats, lamp posts and the low warning moan of a ship's horn sounding somewhere out on the water. Rolling across the flat fields, it made dark gray ghosts of the trees that huddled along the far fencelines and left cold beads of moisture on his skin and memories of old black-and-white movies in his mind.

            But there were no ships in the harbor, no waterside buckets of blood, no Rick or Ilsa. Just lightless farmhouses, barns, open-sided equipment sheds and squat corrugated feed bins for cattle, all cloaked by the fast-moving fog, glimpsed only if the wind parted the curtain of stained white wetness as you rolled by.

            And it wasn't the Left Coast or Britain. It was Texas and the scrubby coastal country north of Houston, beyond the Intercontinental and its roaring planes. Take a left off the farm-market road with the four-digit number. Find the third dirt road on the left, take it for three miles. Splash through the potholes and set your teeth against tires juddering across the washboard track. Hit the T of another dirt road. Look for a faint gravel trail at your 10 o'clock. Rattle over the cattle guard. Close the gate behind you.

            Easy to remember. Hard to do with visibility down to zero. Even with the window rolled down and the Beemer's fog lamps flipped on. Nice car. Leather seats the color of butterscotch taffy. Mahogany inserts flanking the instruments and fronting the glove box. Killer sound system and a cellular phone. Shame to bang this baby along back roads, splashing mud and gravel against its polished flanks of forest green.

            Not his car. Not his problem. Fog and time were. He was already a half hour behind schedule when his contact finally drove up with the car, the briefcase of bills and directions to the meet. Fog was adding more minutes to his travel time. He had to double back when he missed one turnoff and that made him slow and leery of missing another.

            Not good. Not good. Patient people weren't on the other end. They never were. But they would wait because he had the money, they had the product and both sides wanted this deal closed tonight. And if they were pissed and wanted to wrangle, he could deal with that; a matte-chrome Smith & Wesson Model 6906 with thirteen rounds of 9 mm hollow point nestled in a shoulder rig underneath his black leather jacket.

            Always the chance of a wrangle on a run like this. Rip-offs were a run-of-the-mill business risk, even between long-time associates. But on this deal the probability of gunplay was low. He was just nervous about running late. It wasn't professional. He thought about using the cellular phone but shook the idea out of his head. Not something a pro would do.

            And not something his people would appreciate. They were security-conscious and worked the high-dollar end of the street. No cowboys. Pros only. Running a well-oiled machine. Not that he knew them well. He was strictly a cutout man, a well-paid delivery boy who made it his business to stay ignorant about those who hired him and their business partners.

            He wasn't totally in the dark about his paymasters; no prudent pro ever was. But he kept his curiosity in check and his focus on the amount of money he was paid and the demands of the night's job.

            It was a relaxing way to make a living. A phone rings. A voice on the line gives him the name of a bar or cafe. A man meets him with an envelope and instructions. And he goes where he is told -- to deliver money, to pick up a truck or car loaded with product, to put a bullet through the skull of someone he doesn't know.

Command and control. Just like the Army and those over-the-border ops in Cambodia. Project Vesuvius. Studies and Observations Group. Words both grandiose and bland to cover what he and his comrades did. Slip over the fence, gather the intel, slit a few throats along the way. Set up the Big Death -- from the air and on the ground. Operation Menu. Operation Patio. Operation Freedom Deal. Cambodian Incursion. More bland words for killing the enemy in his safest sanctuaries. Parrot’s Beak. The Fishhook. The Dog’s Face.

            A sputtering string of electronic beeps startled him. The car phone. He glanced down and saw a red pin light flash to the time of the beeps. He pulled the receiver out of its cradle.

            "Talk to me."

            "Where the hell are you?"

            "You don't want me to say."

            "You're late and that's making some people nervous."

            "Your man was late and this phone call is making me nervous. It's not very smart."

            "We decide what's smart. We pay you to get things done and be on time. How long till you get there?"

            "Ten."

            "Get there."

            He snapped the receiver back in place and shook his head. Not good. Not good. Lots of snoopers scanning these cellular circuits. A pro would know this and wouldn't risk a call unless the other side was making a ruckus. Made him wonder if the players in this game were as big league as he thought they were.

            Those thoughts rode with him as he wheeled the Beemer down the dirt road, looking for the T intersection. There it was. He looked for the gravel trail, slowly turning the car to the left and letting the fog lamps cut a slow sweep across the far side of the road. There. At his ten o'clock. Just like he was told. He stayed alert, but his nagging nervousness and doubts started to fade.

            The trail led from the gate and crossed the field at a sharp angle. He crept along, easing the car through ruts and washouts. He saw the shrouded form of a tin shed and weaved the car so the lights would pan across its open door. The yellow beams caught the wet metal of an old tractor and two men in dark slacks and windbreakers -- one tall, bald and lean, the other short, squat and slick-haired.

            He stopped the car, fog lamps still on. He pulled his pistol, letting his gun hand drop to his side and rear as he stepped out, keeping his body behind the car door.

            "Wanna cut the lights, guy?"

            A purring voice from the short guy, coming from a full, sleek face that made him think of a seal.

            "Not really. Let's keep everything illuminated. Makes me feel safe."

            "You're among friends, guy. Nobody wants monkeyshines here. We just do the handoff and the call and we can all get the hell out of this fog. You're late and we're cold."

            "No arguments from me, my man. But let's do this by the numbers."

            "Numbers it is, guy."

            He stepped away from the car.

            "Money's in the front seat. Have your buddy do the honors."

            A nod from the talker. His companion walked to the passenger side of the Beemer and leaned in. He heard the latches of the briefcase pop open.

            "Looks good to me."

            "Make the call. That okay with you, guy?"

            "By all means. Make that call. Tell Mabel to put a pot of coffee on."

            A laugh from the talker. He could see the other guy reach for the cellular phone. Somewhere across town, a phone would ring. Assurances the money was in hand. Somewhere else another phone would ring. Product would change hands. Then the Beemer's cellular would ring again and the night's business would be done.

            He was alert but relaxed, ready to wait, the screw-ups behind him and the deal running smooth and professional now. He had a clear view of the talker and his companion. He had his gun in hand. He was thinking about a cup of coffee when the baseball bat cracked across the back of his skull.

            "Cut those damn lights. Secure the money."

            A nod from the companion. The talker moved toward the third man, the man with the baseball bat, a hulk with the arms and shoulders of a lineman and the on-the-balls-of-the-feet stance of a third baseman. They stood over the slumped body.

            "Give me a hand with this sumbitch. He's heavy. Get that gun, Jack."

            "Got it. Who'd this guy piss off?"

            "Nobody you need to know about, guy. Or me. He's just a poor soul somebody wants whacked."

            "Awful lot of trouble just to whack a guy. What the fuck are we stagin' this thing for, Louis? Why not just pop him and get it over with?"

            "Not your worry, guy. Just muscle him into the driver's seat and let me dress him up pretty. Bill, did you wipe your prints?"

            "Does it matter?"

            A glare from Louis. The companion shrugged, pulled a bandana from his back pocket and leaned into the Beemer. When done, he hoisted the briefcase and walked back toward the shed.

            Louis kept his eyes locked on the bald man as he walked away, his head swiveling like a table-top fan, his eyes popped with anger. He broke the stare and fussed with the body, pulling the head back, reaching into the mouth, then his pocket, then back into the mouth. Jack watched and shook his head.

            "Bill!"

            "Yo!"

            "Get me that bundle, guy. The jacket and the trench coat. And bring that bag with the stuff in it."

            "Yo."

            Bill hustled to the car. Louis patted him on the shoulder, thanking him in that purring voice, his face soft and placid again. He turned back to the body, peeling off the leather jacket and unfastening the shoulder rig. He fished through the pockets, pulling wallet, keys and a checkbook, leaving loose change. He replaced these items with wallet, keys and a checkbook he pulled from a crumpled brown paper bag. He pulled a ring from the right hand and a fake Rolex from the left wrist, digging a wedding band, a class ring and a real Rolex -- an Oyster Perpetual Datejust -- from the bag.

            The jacket and trench coat came next -- a nicely tailored Burberry, pity the waste. Louis started to sweat as he pulled and smoothed the clothes onto the body. He unbuttoned the shirt down to the navel, then reached into the bag and pulled out a squeeze bottle, the kind with the thin nozzle that could poke through the bars of a footballer's facemask. He squeezed water onto the body's chest then reached under the dash to pop the hood of the Beemer.

            "Jack -- hook up those cables, guy."

            "Jesus."

            "I know it's unpleasant, but just do it for me, guy."

            Louis fired up the Beemer's engine then waited for Jack to hand him the twin clamps. Clamps to the body's chest. The smell of burning flesh and electrified ozone.

Again. Again the smell.

And again. Clamps to Jack. Engine off.

            "Bill. The acid, guy."

            A glass bottle of sulfuric acid. A small glass tray. Fingers and thumb from one hand in. Then the other hand. He handed the tray to Bill.

            "Careful with that, guy. Dump it."

            "Yo."

            Louis turned back to the body. He pursed his lips as he lined up the shoulders, the head and the arms to stage the proper angles of a kill shot.

            The head was the difficult part. Without a helping hand to hold it in place, it rolled about and wouldn't stay upright. Louis pulled the hips forward then shoved the shoulders deep into the folds of the leather seat, pressing them into place. The head was now resting lightly against the butterscotch leather padding of the headrest.

            That's how it would line up. He stood up and pulled a snub-nosed Colt Agent in .38 Special from the paper bag with a gloved hand. He eyed the angle for another second then nodded Jack away.

            Louis eased the pistol barrel into a sagging mouth, eyeing the angle one more time. He pulled the trigger, blinking at the pistol's flash and sharp report. He dropped the gun to the floor.

The bullet had blown off the back of the man's skull, obliterating the pulpy mark of the baseball bat and spraying a dark stain of brains, blood and bone shards across the light-colored leather seats. The impact canted the body across the console and gearshift, head and shoulder jammed between the seats.

            "Jesus, Louis."

            "What?"

            "Christamighty, it's one thing to whack a guy up close like that, another to do all that shit with the battery cables and the acid. But to have to fish out his dentures first? They'd have to pay me double to do that."

            "They are, guy. They are."

            "Whadja have to do it for?"

            "They were making his gums sore. He needed a new pair."

            "Like he'll need 'em where he's going."

            "You never know. Blow the car, Jack. We gotta get us back on home, guy. Get us on the outside of some gumbo down to Tujague’s."

            "I'm for that. A shame though. This is a nice car."

            "That it is, guy. Blow her just the same. Make it burn pretty."

            "Lotta noise. Lotta flash. Cops'll be here like flies on a dead fish."

            "Do it quick then, guy. So we can be long gone."

Jim Nesbitt ©2017

http://www.jimnesbitthardboiledbooks.com/about-the-author

Victoria Weisfeld Reviews WHAT YOU BREAK by Reed Farrel Coleman

Victoria Weisfeld Reviews WHAT YOU BREAK by Reed Farrel Coleman

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