Thursday, June 05, 2025
Do Some Damage: Interview: RyNyx Discusses Her Love of Mysteries and Her Dark Academia Standalone, ENIGMA
Tuesday, June 20, 2023
Friday, May 05, 2023
Sunday, February 19, 2023
Monday, October 03, 2022
Do Some Damage: THE WALKING DEAD
Wednesday, August 24, 2022
Saturday, August 20, 2022
Tuesday, August 16, 2022
Sandra Ruttan Reviews: Kismet by Amina Akhtar
Kismet had me at Sedona, Arizona. This breathtaking city is a tourist trap, but it’s easy to understand why. The stunning landscapes attract visitors from all over the world, and I’d never read a thriller set there before, so I was eager to check out Kismet.
Once I started the book, it quickly
turned into a fast-paced read that I couldn’t put down. Ronnie might not appeal
to some readers because she is very passive, but that’s part of her journey,
and I found it completely credible. I related to her and her attempts to fly
under the radar to avoid conflict and her inability to really understand, love,
and assert herself.
This isn’t your typical thriller with an
active investigation into the murders. The story focuses on the way that crime
impacts local residents, and how people with varying agendas try to capitalize
on the crimes for their own gains.
I was a teenager living in Ontario at
the height of the manhunt for a suspected serial killer you may have heard
of—Paul Bernardo. And I grew up in Cottage Country, so I spent every summer of
my life (until adulthood) dealing with tourist infestations and the ways people
capitalized on tourists. From that perspective, I found the events in Kismet quite credible. As someone who’d
spent their childhood exploring woods and lakes and disappearing for hours
without consequence (because that’s what we kids did in the 70s), the search
for Bernardo prompted additional parental supervision and more public scrutiny.
My parents even gave a report to the police about someone they knew who had a
similar car to one seen near an abduction. Everyone was on edge, and when
everyone’s on edge, things can escalate quickly. Fear drives wedges in
communities and relationships.
There’s some masterful sleight of hand
at play here in the storytelling, because while you’re legitimately so focused
on some events unfolding, there are other developments that come together to
surprise and fill in the missing pieces in this story. There is some woo woo,
you could say, because there are chapters told from the perspective of ravens.
I liked this added touch to the story, because it definitely tells you there’s
more at work here than what meets the eye. However, if you don’t like woo woo,
you could probably skim or skip those sections without it significantly
impairing your ability to enjoy the core story.
There are some political threads in Kismet related to racism. In my opinion,
you can’t tell this kind of story without delving into the current political
climate. To try to do so would be disingenuous, and the politics of racism is
very much a factor for Ronnie. We see that throughout the story, from the
people who were so casually racist they never listened to her and tried to
label her as something she wasn’t to the people who profiled her because of her
skin color.
Now, getting back to the woo woo portion
… one of the things I really liked was the reference to people’s auras. I don’t
know much about this at all, but I really liked the idea of seeing beyond the
surface to understand what a person’s really about.
Kismet
provides resolution for the core threads, but it isn’t exactly what I’d call a
neat and tidy ending. There are a few details that aren’t followed up on. While
some thriller readers may find that annoying, it’s easy enough to guess at the
details and feels more credible because, in a way, it left this question mark
out there surrounding one character and their future. Kismet is a thriller that left me grappling with questions about
morality, and why sometimes I’m more than happy to look the other way, no
matter what I believe is right or wrong. More than that, it’s one that’s
lingered on my brain long after reading the last page, which is evidence of how
much I enjoyed it. 5 stars.
Sandra Ruttan © 2022
Sandra Ruttan is the founder and EIC of Dark Dispatch. In March 2022, Dark Dispatch released The Dead Inside, an identity horror anthology co-edited by Laurel Hightower and Sandra Ruttan. Ruttan's novels are available online, and if you're looking for a place to start she suggests Harvest of Ruins.
Tuesday, July 26, 2022
Sandra Ruttan Reviews: Stargazers by L. P. Hernandez
Review of Stargazers by L. P. Hernandez
Stargazers is a lean story
centered around Henry, his wife, and his daughter. It takes place during an
unexplained event. Perhaps you imagine the end of the world with fire raining
from sky, bombs dropped by man, or missiles launched by aliens. Stargazers
is far more sinister because it's mysterious and unexplained, but whatever it
is overrides people's minds and assumes control. They aren't themselves, and
their behavior leads to their deaths, the destruction of towns, and the deaths
of others.
Henry has PTSD and already
struggles to hold it together during the best of times, so when things go bad,
there's real tension. It's instinctive to wonder how he'll cope. This adds to
the intrigue and maintains reader engagement as events unfolded.
Sections are split with some posts online. These outside perspectives give readers different information about what's happening and widen the scope of knowledge effectively. When you anticipate trouble on the horizon, you worry more about your protagonist and want to see what happens when they come to certain realizations or deal with new realities. In the mystery genre, there are whodunnits and there are howdunnits and there are whydunnits. Sometimes, however, the most compelling mysteries don't center on unknowns, but rather certainties. Knowing a character will have to deal with something specific and wondering how they'll get out of the situation or respond can be just as satisfying as figuring out who's responsible.
This story creates and maintains plenty of tension and adds plenty of developments throughout to keep it from being predictable. In fact, the author avoids some common tropes and leaves us with loose ends, and I personally applaud the choice to avoid tying things up neatly.
My only real quibble
centers on a writing choice related to point of view. At times, we follow Dad
or Mom, and other times we follow the daughter. I don't think the sections from
the daughter were necessary and since most involved jumping to and from her POV
in the middle of a scene, it was distracting. The other thing is, knowing her
thoughts mitigates tension in those scenes because we know her situation, and
she presents as very mature for her age. Staying out of her thoughts keeps the
focus on Dad's concerns and his uncertainty because he doesn't know what she's
thinking. The same way the mystery about what's prompting the stargazers to act
the way they do adds tension and intrigue, not knowing what the child's
thinking adds to Henry's worries and stress level. He's dealing with the
stargazers, armed people in the streets, and his own demons. Worrying about his
daughter adds another layer to his concerns, but we don't really live in those
moments because the POV jumps to her and reassures us because she isn't in
full-blown panic mode.
Compare to a scene
between the parents when Mom comes home, clearly distraught. We don't even know
exactly what she saw, and that lack of detail is more effective because we see
the scene through Dad's eyes and feel how worried he is. It's perhaps the most
gutting scene in the book because Henry's wife has kept it together for so long
and now she's come undone, leaving Henry anchorless.
Overall this is a
solid novella that blends the best elements of horror and suspense to deliver a
memorable apocalyptic story that's both chilling and hopeful. I look
forward to seeing what Hernandez has in store for us in the future.
Trigger Warnings
Sexual assault
Gaslighting
Gore
Death
Grief
PTSD
Sandra Ruttan ©2022
Sandra Ruttan is the founder and EIC of Dark
Dispatch. In March 2022, Dark Dispatch released The Dead Inside,
an identity horror anthology co-edited by Laurel Hightower and Sandra Ruttan.
Ruttan's novels are available online, and if you're looking for a place to
start she suggests Harvest of Ruins.
Friday, July 15, 2022
Tuesday, December 21, 2021
Monday, December 21, 2020
Dark Dispatch: #EntertainmentAdventCalendar – I’ll Be Gone in the Dark (Review by Brian Lindenmuth & Sandra Ruttan)
Wednesday, March 04, 2020
Sandra Ruttan Reviews: The Rust Maidens by Gwendolyn Kiste
Sandra Ruttan ©2020
Wednesday, February 26, 2020
Sandra Ruttan Reviews: The Prisoners of Stewartville by Shannon Felton
Tuesday, February 11, 2020
Review: Maxine Unleashes Doomsday by Nick Kolakowski
When the world seems to be on fire every day and the new normal of society is borderline chaos, Nick Kolakowski’s new book, Maxine Unleashes Doomsday has a lot of relevance to the here and now. He builds on that and extrapolates into a near future that is all too plausible. Part crime fiction, part dystopian thriller, and with violence on nearly every page, this is a complicated read that is very good.










